{"id":1297,"date":"2025-05-14T17:10:40","date_gmt":"2025-05-14T17:10:40","guid":{"rendered":"https:\/\/tmbglobal.news\/index.php\/2025\/05\/14\/the-trend-of-co-opting-progressive-art-by-conservatives\/"},"modified":"2025-05-14T17:10:46","modified_gmt":"2025-05-14T17:10:46","slug":"the-trend-of-co-opting-progressive-art-by-conservatives","status":"publish","type":"post","link":"https:\/\/tmbglobal.news\/index.php\/2025\/05\/14\/the-trend-of-co-opting-progressive-art-by-conservatives\/","title":{"rendered":"The trend of co-opting progressive art by conservatives"},"content":{"rendered":"<p><\/p>\n<div>\n<p><em>Editor\u2019s note: Given recent\u00a0<a href=\"https:\/\/www.whitehouse.gov\/fact-sheets\/2025\/01\/fact-sheet-president-donald-j-trump-takes-forceful-and-unprecedented-steps-to-combat-anti-semitism\/\">policy developments<\/a><\/em> <em>in the federal government, the author of this article has been granted anonymity to protect their safety and ability to continue their education in the United States.<\/em><\/p>\n<p>\u201c<a href=\"https:\/\/genius.com\/Rage-against-the-machine-take-the-power-back-lyrics\">Lost the culture, the culture lost \/ Spun our minds and through time, ignorance has taken over \/ Yo, we gotta take the power back!<\/a>\u201d<\/p>\n<p>In 2013, the world was shocked when George St-Pierre, Ultimate Fighting Championship welterweight champion, narrowly <a href=\"https:\/\/www.mmafighting.com\/2020\/11\/16\/21567555\/retro-robbery-review-georges-st-pierre-vs-johny-hendricks-at-ufc-167\">won<\/a> a match against rising contender Johny Hendricks. St-Pierre, often <a href=\"https:\/\/www.tapology.com\/rankings\/936-all-time-greatest-welterweights-in-mma-history\">regarded<\/a> as the greatest welterweight of all time, was on a decisive 11-fight win streak against other worthy contenders. In their matchup, the young upstart Hendricks outperformed the legendary veteran, bruising St-Pierre\u2019s face in patches of black and blue \u2014 yet St-Pierre was declared the winner. <a href=\"https:\/\/www.mmafighting.com\/2020\/11\/16\/21567555\/retro-robbery-review-georges-st-pierre-vs-johny-hendricks-at-ufc-167#:~:text=What%20was%20the%20official%20result,Johny%20Hendricks%20via%20split%20decision.\">Most everyone that night<\/a> believed St-Pierre\u2019s win streak should have been broken.<\/p>\n<p>Most everyone, including Dana White, the chief executive officer of the UFC. One might think that, in a prize-money sport like mixed martial arts, an executive would sigh in relief that their biggest star retained the belt. Instead, White was <a href=\"https:\/\/www.youtube.com\/watch?v=TKY9OoDeu1c\">furious and foulmouthed<\/a>.<\/p>\n<aside class=\"scaip scaip-1    \">\n\t\t<\/aside>\n<p>\u201cI want what\u2019s fair and that wasn\u2019t fair,\u201d White said. \u201cI think the Nevada State Athletic Commission is atrocious. I think the governor needs to step in immediately before these guys destroy this sport like they did boxing.\u201d <\/p>\n<p>It\u2019s a strangely principled type of anger, one which seemingly stems from a fundamental belief in meritocracy. It\u2019s a type of anger that almost supersedes any obvious ulterior motives for profit. And it\u2019s exactly White\u2019s anger, which seemed honest, that has greatly endeared him to the public \u2014 especially during UFC\u2019s soar in popularity.<\/p>\n<p>If you are familiar with today\u2019s world of combat sports, then you know that White is anything but a principled, honest figure. Nowadays, White has fully rebranded himself as a cutthroat businessman, one of <a href=\"https:\/\/www.theguardian.com\/sport\/2024\/nov\/16\/dana-white-ufc-maga-manosphere\">President Donald Trump\u2019s close friends<\/a> and the head mogul of the (alleged) oligopoly that is the UFC. It should come as no surprise that White is a right-wing conservative and, in many ways, the very caricature of out-of-touch elitists.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=aEfUQLMxz8U\">Scummy dishonesty<\/a> and <a href=\"https:\/\/www.lowkickmma.com\/dana-white-ufc-cut-throat-negotiating-tactics\/\">slimy practices<\/a> are par for the course for the mogul. Add to those two quirks a pop of <a href=\"https:\/\/www.espn.com\/mma\/ufc\/story\/_\/id\/35427773\/ufc-dana-white-says-criticism-physical-altercation-wife-100-warranted\">domestic violence<\/a> and a solid shade of <a href=\"https:\/\/www.ufcclassaction.com\/\">worker exploitation<\/a>, and what you see is a sketch that reveals \u2014 in its bold, exaggerated ugliness \u2014 all that is unfair and unequal in America. White reminds me of the archetypes that protest tunes have historically targeted. He\u2019s the rich man who drove folk legend Woody Guthrie from his door in \u201cI Ain\u2019t Got No Home In This World Anymore.\u201d He\u2019s the businessman drinking Bob Dylan\u2019s wine in \u201cAll Along the Watchtower.\u201d White is the person with his belly full, while everyone else\u2019s is empty in \u201cDown Rodeo.\u201d<\/p>\n<p>Given the thorough lineage of songs that target the very type of person White is, it\u2019s surprising (and hilarious) that White has time and again expressed his adoration for the band Rage Against the Machine. Whether that\u2019s <a href=\"https:\/\/www.youtube.com\/watch?v=eFiuSalHUWc\">moshing<\/a> in Rage\u2019s pits as early as 2012 or bringing the band up in podcast <a href=\"https:\/\/www.shortform.com\/podcast\/episode\/this-past-weekend-2023-11-14-episode-summary-dana-white-this-past-weekend-w-theo-von-470\">appearances<\/a>, he is a die-hard <a href=\"https:\/\/www.facebook.com\/danawhite\/videos\/rage-against-the-machine-cover\/206291897366887\/\">fan<\/a>. On Feb. 11, 2020, Dana White <a href=\"https:\/\/www.facebook.com\/photo.php?fbid=2356218264480340&amp;id=540395599395958&amp;set=a.607000292735488\">posted<\/a> on Facebook: \u201cBOOOOOOOM!!!! Rage Against The Machine is BACK,\u201d expressing his excitement for Rage\u2019s next concert. Soon after, he <a href=\"https:\/\/www.reddit.com\/r\/ufc\/comments\/wn5zhv\/gotta_love_danas_obliviousness\/\">quoted<\/a> the band\u2019s famous refrain \u201cFuck you, I won\u2019t do what you tell me\u201d on his Instagram story.<\/p>\n<aside class=\"scaip scaip-2    \">\n\t\t<\/aside>\n<p>Were White more conscious of Rage\u2019s lyrics, he would quickly learn that the very machine the band rages against is him. In fact, for Rage\u2019s entire history, it has been him, and it will always be him. \u201c<a href=\"https:\/\/www.ocregister.com\/2019\/02\/28\/ufc-235-jon-jones-tests-positive-for-picograms-again-why-it-does-and-doesnt-matter\/\">Compromise<\/a>, <a href=\"https:\/\/bleacherreport.com\/articles\/2456159-ufc-reebok-deal-who-wins-who-loses-on-ufcs-new-uniform-deal\">conformity<\/a> \/ Assimilation, <a href=\"https:\/\/bloodyelbow.com\/2021\/10\/22\/the-simple-effective-ufc-forces-fighters-to-accept-fight-bookings\/\">submission<\/a> \/ <a href=\"https:\/\/www.espn.com\/mma\/story\/_\/id\/43629456\/ufc-white-bryce-mitchell-hitler-comments-dumb-ignorant\">Ignorance<\/a>, <a href=\"https:\/\/www.opennotegrappling.com\/p\/ufc-free-speech\">hypocrisy<\/a> \/ Brutality, <a href=\"https:\/\/www.essentiallysports.com\/ufc-mma-news-what-is-dana-whites-relationship-with-the-nelk-boys-did-the-ufc-president-actually-give-cash-to-kyle-forgeard\/\">the elite<\/a> \/ All of which are American dreams,\u201d screams frontman Zack de la Rocha at the end of \u201cKnow Your Enemy.\u201d White, seemingly, does not know the enemy.<\/p>\n<p>White\u2019s love for Rage is one of the most glaring examples of this strange phenomenon of conservatives co-opting progressive art. Rage \u2014 with their <a href=\"https:\/\/americansongwriter.com\/remember-when-rage-against-the-machine-disrupts-wall-street\/\">music<\/a>, performances and public comments \u2014 has made it quite clear that they stand in direct opposition to the exploitative practices that White engages in. <\/p>\n<p>In <a href=\"https:\/\/www.vice.com\/en\/article\/tom-morello-set-the-record-straight-about-rage-against-the-machines-political-stance\/\">an interview<\/a> with Vice, guitarist Tom Morello talked about the purpose of their music. <\/p>\n<p>\u201cThen, as now, that music critiqued a capitalist\/white supremacist power structure that was and is still in full effect. Currently more so than ever.\u201d<\/p>\n<p>But this strong stance hasn\u2019t stopped people on the other side of the aisle from misconstruing the band\u2019s message. In 2012, Republican politician <a href=\"https:\/\/www.rollingstone.com\/politics\/politics-news\/tom-morello-paul-ryan-is-the-embodiment-of-the-machine-our-music-rages-against-246033\/\">Paul Ryan<\/a> similarly shared his appreciation for Rage; at the height of the pandemic, <a href=\"https:\/\/www.reddit.com\/r\/SelfAwarewolves\/comments\/jpppfw\/trump_supporters_dancing_to_rage_against_the\/\">a group of MAGA supporters<\/a> presented a Blue Lives Matter flag as they yelled Rage\u2019s most scathing lyrics about white supremacy in the police force. \u201cThose who died are justified, for wearing a badge, they\u2019re the chosen whites.\u201d<\/p>\n<aside class=\"scaip scaip-3    \">\n\t\t<\/aside>\n<p>This appropriation results in part from Rage being a heavy metal band. Like country is to folk, metal is <a href=\"https:\/\/hatemeditations.com\/2022\/12\/23\/metal-is-good-conservative-art\/\">considered<\/a> far more <a href=\"https:\/\/toiletovhell.com\/rock-against-anything-how-metal-became-so-fucking-reactionary-and-what-to-do-about-it\/\">conservative<\/a> than its punk counterpart. The genre appeals the most to <a href=\"https:\/\/www.msnbc.com\/opinion\/how-heavy-metal-music-helps-me-understand-trump-supporters-n1287896\">white men<\/a>, who now feel alienated from the \u201cprogressive\u201d state of the world. Rage\u2019s aggressive, confrontational sound leads people from all sides to project their own anger onto the music, often without absorbing the message. \u201cThe message that people take from Rage is \u2018you should be angry,\u2019\u201d content creator <a href=\"https:\/\/www.youtube.com\/watch?v=Cqqp_ohh2GY\">Polyphonic<\/a> says.<strong> <\/strong>The mere aesthetic of the angry metal genre \u2014 the medium \u2014 simply overwhelms Rage\u2019s message of progress and anti-capitalist revolution<strong>.<\/strong><\/p>\n<p>To further understand how aesthetics can hide ideology, we circle back to White and the night St-Pierre retained his welterweight belt. After St-Pierre won the fight, the champion <a href=\"https:\/\/youtu.be\/YxBoufnVIMw?feature=shared&amp;t=80\">said<\/a> in his post-fight speech that he needed to take a break. He had defended his title 10 times over the course of five years, and he needed to take some time for himself. At the following press conference, White inadvertently dropped the veil about why he was so angry.<\/p>\n<p>\u201cWhatever the hell (St-Pierre) was saying (about taking a break), that\u2019s not how it works,\u201d White <a href=\"https:\/\/lasvegassun.com\/news\/2013\/nov\/17\/dana-white-outraged-ufc-167-decision-eyes-st-pierr\/\">said<\/a>. \u201cYou owe it to the fans, you owe it to the belt, you owe it to this company and you owe it to Johny Hendricks to give him that opportunity to fight again unless you\u2019re going to retire.\u201d<\/p>\n<p>As is typical with executives, White\u2019s anger with St-Pierre concerned his bottom line. Were St-Pierre to take a \u201cbreak\u201d with the belt, UFC would have no marketable star \u2014 no legitimate lineage for the welterweight crown. Unfortunately, that\u2019s not the narrative people cared to remember. If we look at what journalists wrote at the time, the root of White\u2019s anger is scarcely mentioned. MMA journalists often led with how White believed Hendricks won \u2014 Fox Sports <a href=\"https:\/\/www.foxsports.com\/stories\/ufc\/as-gsp-hendricks-scoring-controversy-swirls-white-slams-nsac\">headlined<\/a> \u201cAs GSP-Hendricks scoring controversy swirls, White slams NSAC\u201d and USA Today <a href=\"https:\/\/ftw.usatoday.com\/story\/sports\/2013\/11\/17\/ufc-167-dana-white-furious-georges-st-pierre-johny-hendricks\/82183794007\/\">ran<\/a> \u201cDana White furious, strongly believes Johny Hendricks beat Georges St-Pierre.\u201d If any discussions were had about that night, they concerned White\u2019s principled anger about St-Pierre\u2019s decision, an image which has sufficiently covered up the business motives fueling that anger.<\/p>\n<p>But therein lies the power of outrage. Anger is a strong emotion, and we often believe that no one gets red hot without reason. Author Edward Abbey once <a href=\"https:\/\/www.goodreads.com\/quotes\/472137-love-implies-anger-the-man-who-is-angered-by-nothing\">said<\/a>, \u201cLove implies anger. The man who is angered by nothing cares about nothing.\u201d If someone is blowing a fuse, we tend to associate it with passion. <a href=\"https:\/\/pmc.ncbi.nlm.nih.gov\/articles\/PMC3859704\/#S18\">A study<\/a> in social status and anger expression also found that, in Western cultures, anger is fueled by blockage of personal goals and desires fuels anger.<strong> <\/strong>But the aesthetics of anger can obfuscate the cause of that passion, preventing deeper analysis. In White\u2019s case, anger hid his business-forward agenda from the public. And in the political realm, anger, a loud emotion, does an exceptional job at hiding quiet bigotry.\u00a0<\/p>\n<aside class=\"scaip scaip-4    \">\n\t\t<\/aside>\n<p>Beyond the direct use of anger, the conservative adoration for Rage shows how the anger of others can be weaponized, stripped of its original meaning and used to fuel entirely different agendas. For Rage, their messages of progression and revolution are buried when their music gets co-opted. When one listens to \u201cBulls on Parade,\u201d that person may hear about how \u201cthey rally \u2018round the family with a pocket full of shells\u201d and get angry at <em>something<\/em>,<em> <\/em>but whether that individual connects \u201cthey\u201d to the \u201cwar cannibal animal\u201d of the United States is a different question.\u00a0<\/p>\n<p>This right-wing <a href=\"https:\/\/www.outkick.com\/culture\/george-carlin-belongs-to-all-of-us-including-conservatives\">pattern<\/a> of misinterpretation, decontextualization and then co-opting, deliberate or not, reveals something deeper about the aesthetics of anger. Namely, anger can function as its own medium. Painters use paint, filmmakers use cameras and conservatives use anger. By acting as a medium, anger is its own message \u2014 one that seeks to unite people emotionally before it does logically.<\/p>\n<p>When speaking about Rage\u2019s small but prominent right-wing fanbase, Morello <a href=\"https:\/\/www.abc.net.au\/listen\/programs\/the-j-files\/rage-against-the-machine\/10274420\">said<\/a> that the music could help educate them. <\/p>\n<p>\u201cOne of the most important things about Rage is that we are able to seduce some people with the music, who are then exposed to a different political message.\u201d <\/p>\n<p>Morello embraces Rage\u2019s appealing anger, hoping that, through their aesthetic, listeners will somehow come around to the message. Yet, amusing and hilarious as it is to see Trump supporters or white supremacists attach themselves to art that attacks them, the deeper implications of co-opting are scary. Unfortunately, I don\u2019t think progressive anger has done any seducing here. Rage may have channeled anger in their work, but they never quite grasped how easy it was for their opponents to turn that very anger against them.<\/p>\n<aside class=\"scaip scaip-5    \">\n\t\t<\/aside>\n<p>If anger is a political medium, conservatives have mastered it. They use both their own anger to rally people and co-opt anger from their opponents to fuel their backward agenda. Anger is at the core of why they continually miss or ignore the anti-establishment messages from art they consume. But that strong emotion is also why their movement appeals to so many people: It\u2019s blindingly red.\u00a0<\/p>\n<p>\u201cTo expose and close the doors on those who try \/ To strangle and mangle the truth \/ \u2018Cause the circle of hatred continues unless we react.\u201d<\/p>\n<p>The ability to harness and repurpose rage has been at the heart of conservative messaging for many years. But there was a time when conservatives didn\u2019t have full ownership of anger.<\/p>\n<p>Bob Dylan is ferocious on \u201cMasters of War,\u201d possessed by the spirit of unrest following the U.S.\u2019 increasing involvement in the Cold War. \u201cYou hide in your mansion \/ While the young people\u2019s blood \/ Flows out of their bodies \/ And is buried in the mud.\u201d Dylan has a sharp pen, and he isn\u2019t afraid to use it like a sword.<\/p>\n<p>Nina Simone\u2019s \u201cMississippi Goddam\u201d is similarly enraged. The same spirit that made Dylan unrecognizable in \u201cMasters of War\u201d is burning Simone alive. Simone emphatically slaps down on her piano keys while the drums lend a sense of urgency, galloping from one verse to the next. In the most crucial line of the song, \u201cOh but this whole country is full of lies \/ You\u2019re all gonna die and die like flies,\u201d Simone restrains from letting all her anger out. Her tone is measured but her commentary is not.<\/p>\n<aside class=\"scaip scaip-6    \">\n\t\t<\/aside>\n<p>Both songs are effective protest songs, communicating anger through simple aesthetics \u2014 a guitar and harmonica for Dylan and drums and piano for Simone. Somewhere along the way, we\u2019ve lost access to leftist rage, or more worryingly, the right has learned to subdue it. The question then is: How do we take the power back?<\/p>\n<aside>\n\t\t<\/aside>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related articles<\/em><\/h3>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Editor\u2019s note: Given recent\u00a0policy developments in the federal government, the author of this article has been granted anonymity to protect their safety and ability to continue their education in the United States. \u201cLost the culture, the culture lost \/ Spun our minds and through time, ignorance has taken over \/ Yo, we gotta take the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1298,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[385,1446,1444,1445,1443],"class_list":{"0":"post-1297","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-art","9":"tag-conservatives","10":"tag-coopting","11":"tag-progressive","12":"tag-trend"},"_links":{"self":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/1297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/comments?post=1297"}],"version-history":[{"count":1,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/1297\/revisions"}],"predecessor-version":[{"id":1299,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/1297\/revisions\/1299"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media\/1298"}],"wp:attachment":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media?parent=1297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/categories?post=1297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/tags?post=1297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}