{"id":1669,"date":"2025-06-13T00:19:04","date_gmt":"2025-06-13T00:19:04","guid":{"rendered":"https:\/\/tmbglobal.news\/index.php\/2025\/06\/13\/bright-pink-barbie-cds-american-standards-and-physical-media\/"},"modified":"2025-06-13T00:19:14","modified_gmt":"2025-06-13T00:19:14","slug":"bright-pink-barbie-cds-american-standards-and-physical-media","status":"publish","type":"post","link":"https:\/\/tmbglobal.news\/index.php\/2025\/06\/13\/bright-pink-barbie-cds-american-standards-and-physical-media\/","title":{"rendered":"Bright-pink Barbie CDs, American standards and physical media"},"content":{"rendered":"<p><\/p>\n<div>\n<p>There is a neon green CD storage box back in my childhood home in Indonesia. Some discs in the pile are more worn than others; their edges have faded white, and the screen-printed labels on top are practically illegible. I remember the careful way in which my dad would demonstrate holding a disc: by its edges or center, but never by the shiny parts.<\/p>\n<p>Physical media were always central to my childhood memories. I used to race with my sister to find Nintendo cartridges of Harvest Moon and insert Jay Chou cassette tapes into my dad\u2019s stereo player. Most of all, though, I remember the crappy 20-cent Barbie DVDs that my parents would buy from a nearby market after their late-night shifts. The sheer amount of Barbie CDs that decorated the shelves of every CD store back then meant that Barbie dominated more than half of the pile in my neon green box,\u00a0and most of my friends\u2019 collections at the time looked the exact same.<\/p>\n<p>Despite being miles away from the West, most childhoods in Indonesia centered around Western media while Indonesian media almost always became the butt of the joke. My friends and I still reminisce about Barbie movies and cartoons like \u201cPhineas and Ferb\u201d or \u201cSpongeBob SquarePants.\u201d To us, the West represented progress, success and innovation \u2014\u00a0so when Western countries began adopting digital media, Indonesia followed suit. I moved to an international school in second grade and stopped using physical media entirely, and by third grade, had completely forgotten that it existed.<\/p>\n<p>It wasn\u2019t until years later that physical media became \u201ccool\u201d again in the pop culture, when mostly white voices started calling for the survival of physical media. Online, physical media communities always seem to be saturated with pretentious <a href=\"https:\/\/lwlies.com\/articles\/i-met-a-film-bro-heres-what-i-learned\/\">film bros<\/a> on Reddit, <a href=\"https:\/\/www.wescreenplay.com\/blog\/what-is-a-manic-pixie-dream-girl-and-how-the-trope-can-be-improved\/#:~:text=A%20Manic%20Pixie%20Dream%20Girl%20embodies%20characteristics%20such%20as%20quirkiness,her%20more%20intriguing%20or%20captivating.\">manic pixie dream girls<\/a> on Tumblr or wistful older men on Facebook, all of whom are singing praises about The Strokes or Fleetwood Mac or some other white band. The concept of \u201cphysical media\u201d quickly became equivalent to that one scene from \u201c(500) Days of Summer\u201d (Marc Webb, \u201cThe Amazing Spider-Man\u201d): the guy and the girl bantering over vinyl records in a soft-lit record store and the quirkiness of having Ringo Starr as your favorite Beatle.<\/p>\n<aside class=\"scaip scaip-1    \">\n\t\t<\/aside>\n<p>With white voices dominating the discourse, it was difficult to imagine that physical media had once been something so personal to me. It became an aesthetic centering around white media, because mass media production \u2014\u00a0and the online social culture surrounding it \u2014 encourages white hegemony among works of art, dictating the media that makes you inherently \u201cinteresting\u201d to consume. Back when I was 13 years old and had completely forgotten about the role of physical media in my childhood, I was envious of the teenage girls with vintage aesthetics and a love for old-timey white artists, because they were \u201ccool.\u201d At the time, the oldest artist I listened to was probably <a href=\"https:\/\/dachmad.medium.com\/chrisye-the-one-with-smooth-voice-764b40beb2c9\">Chrisye<\/a>, a legendary Indonesian pop icon whose playful melodies I could probably identify a mile away. But it wasn\u2019t enough<\/p>\n<p>When I received my record player and a boygenius vinyl for my 20th birthday, I was excited that it would be my first ever piece of physical media. It hadn\u2019t even crossed my mind that this simply wasn\u2019t true until I sat down to write this piece.<\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n<p>In the discourse surrounding physical media nowadays, it\u2019s always one extreme or the other \u2014 either <em>everyone<\/em> should <a href=\"https:\/\/www.filmsfatale.com\/blog\/2024\/1\/3\/keep-buying-physical-media-an-imploration\">use<\/a> physical media or physical media is <a href=\"https:\/\/hackaday.com\/2025\/04\/22\/why-physical-media-deserved-to-die\/\">garbage<\/a>. No one takes into account the white centrism around physical media that makes it so unreachable today.<\/p>\n<p>For something to be \u201cphysical media\u201d and thus considered to have cultural value, it must be accessible and critically acclaimed, which are two qualities largely influenced by Western standards. When the mass production and reception of media mostly center around <a href=\"https:\/\/mediareparations.org\/wp-content\/uploads\/2023\/02\/media-2070-discussion-guide.pdf\">whiteness<\/a>, it grants easier purchase and access to the work by the average consumer. The lack of work made by international artists in physical media production implies that \u201cworld\u201d media are not as legitimate in dictating art. Today, even as I try to engage with physical media, I struggle to identify with it. There\u2019s a beautiful small business around Ann Arbor, Digger\u2019s, that sells used media for <a href=\"https:\/\/diggers.media\/\">$1.50<\/a>, and even then, much of the media it sells is white.<\/p>\n<p>A lot of the articles I came across while writing this piece <a href=\"https:\/\/www.dailytarheel.com\/article\/2025\/01\/opinion-column-tiktok-digital-media#:~:text=Physical%20media%20doesn't%20rely,should%20not%20be%20left%20behind.\">reference<\/a> the death of physical media and their importance in the modern landscape. It\u2019s true that the physicality of art is important; I still believe in this wholeheartedly, especially because <a href=\"https:\/\/nofilmschool.com\/the-importance-of-physical-media\">digital ownership doesn\u2019t <em>really<\/em> mean \u201cownership.\u201d<\/a> But how can we, in good conscience, encourage people to invest their life savings into collecting physical forms of art when a majority of physical media sold today don\u2019t even begin to encapsulate the diverse tastes of the general public? And worse, many diverse voices that make up people\u2019s identities are lost in the general discourse, making the culture around physical media more exclusive.<\/p>\n<aside class=\"scaip scaip-2    \">\n\t\t<\/aside>\n<p>It\u2019s easy to point fingers at others and demand them to buy their own records and VHS tapes \u2014 many of the articles I read center \u201cyou\u201d in their titles as a call to action to bring back physical media \u2014\u00a0but it\u2019s more difficult to look at the root cause of <em>why<\/em> people are no longer buying physical media. The culture of inaccessibility around physical media through social standards only serves to uphold the air of \u201ccoolness\u201d around vintage objects and prevents embracing a universal love for art.<\/p>\n<p>It\u2019s not up to us to transform the entire modern physical media market. However, we can still impact those around us by the simple act of community. I often still argue with my friends about which of the cheap DVDs had been our favorite childhood media, and my family had actually been gifted my record player and vinyl to me. The recent <a href=\"https:\/\/annarborobserver.com\/ymx-closes-its-doors-but-diggers-remains\">closure<\/a> of Ann Arbor\u2019s Your Media Exchange, an independent record store seeking to resell used physical media, makes it even more important to locally support inexpensive and <em>inclusive<\/em> physical media. Shop at your local sellers, advocate for affordability and encourage diverse voices in art \u2014 and, most importantly, share your love for art with your loved ones, whether that be browsing record collections with your friends or watching crappy Barbie DVDs with your sister.<\/p>\n<p><em>Daily Arts Writer Nat Shimon can be reached at <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/b-side\/bright-pink-barbie-cds-american-standards-and-physical-media\/mailto:nshimon@umich.edu\"><em>nshimon@umich.edu<\/em><\/a>.<\/p>\n<aside>\n\t\t<\/aside>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related articles<\/em><\/h3>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>There is a neon green CD storage box back in my childhood home in Indonesia. Some discs in the pile are more worn than others; their edges have faded white, and the screen-printed labels on top are practically illegible. I remember the careful way in which my dad would demonstrate holding a disc: by its [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1670,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[79,1822,1875,1876,1509,1877,805],"class_list":["post-1669","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-american","tag-barbie","tag-brightpink","tag-cds","tag-media","tag-physical","tag-standards"],"_links":{"self":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/1669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/comments?post=1669"}],"version-history":[{"count":1,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/1669\/revisions"}],"predecessor-version":[{"id":1671,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/1669\/revisions\/1671"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media\/1670"}],"wp:attachment":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media?parent=1669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/categories?post=1669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/tags?post=1669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}