{"id":2014,"date":"2025-07-11T10:49:04","date_gmt":"2025-07-11T10:49:04","guid":{"rendered":"https:\/\/tmbglobal.news\/index.php\/2025\/07\/11\/benson-boones-new-album-american-heart-is-shiny-and-buoyant-but-what-else\/"},"modified":"2025-07-11T10:49:12","modified_gmt":"2025-07-11T10:49:12","slug":"benson-boones-new-album-american-heart-is-shiny-and-buoyant-but-what-else","status":"publish","type":"post","link":"https:\/\/tmbglobal.news\/index.php\/2025\/07\/11\/benson-boones-new-album-american-heart-is-shiny-and-buoyant-but-what-else\/","title":{"rendered":"Benson Boone\u2019s new album \u201cAmerican Heart\u201d is shiny and buoyant. But what else?"},"content":{"rendered":"<p><\/p>\n<div>\n<p>The story of Benson Boone\u2019s second album, <em>American Heart<\/em>, doesn\u2019t start with the album\u2019s June 20 release. It also didn\u2019t start with the release of the <a href=\"https:\/\/www.tiktok.com\/@bensonboone\/video\/7497753286519360814?lang=en\">viral<\/a> lead single, \u201cMystical Magical,\u201d in April. Boone\u2019s latest album lived and died in a crowded room in February, as <a href=\"https:\/\/www.youtube.com\/watch?v=fCWvZisydrE\">he backflipped<\/a> into the chorus of his screeching <a href=\"https:\/\/acharts.co\/song\/191052\">hit<\/a>, \u201cBeautiful Things.\u201d\u00a0<\/p>\n<p>I think it\u2019s safe to say that a lot of the people watching the Grammys that night, like me, had never heard of Boone before. Before his performance, in the cuts of him in the crowd, I remember thinking he looked a bit like YouTuber <a href=\"https:\/\/www.youtube.com\/user\/kurtisconner\">Kurtis Conner<\/a> \u2014 probably due to his mustache and curly mock-mullet, entirely unassuming in his simple tuxedo. What cemented this night as pivotal in the rollout of his latest album, however, was when he dramatically shed that black tux to reveal a glittery blue jumpsuit, sheer sleeves and a wide collar. He bounced around a bit before catapulting himself off a piano, ending the number, carefully adjusting his glittery crotch and stepping off stage.<\/p>\n<p>For as much support as Boone has probably gained since that night, there must have been twice as <a href=\"https:\/\/x.com\/noellewes123\/status\/1927159114158747671\">many<\/a> <a href=\"https:\/\/x.com\/FlVESTARWOMAN\/status\/1886822440103256451\">fresh<\/a> <a href=\"https:\/\/youtu.be\/TrdJQJ_RXrQ?feature=shared&amp;t=315\">detractors<\/a>. Although I\u2019m not sure Boone has really felt the difference. He\u2019s become a sort of <a href=\"https:\/\/x.com\/gorgeousbrains\/status\/1919164363954413984\">love-to-hate<\/a> character for the internet in the months since. Boone jokes about the amount of hate he\u2019s gotten on his <a href=\"https:\/\/www.reddit.com\/r\/popculturechat\/comments\/1k4t1vw\/benson_boone_calls_out_haters_in_his_newest_tiktok\/\">TikTok<\/a>; the music video for <a href=\"https:\/\/www.youtube.com\/watch?v=vL19WbWOxag\">\u201cMr Electric Blue,\u201d<\/a> the album\u2019s second single, is full of self-deprecating references to the things the internet has been saying about him. Both <a href=\"https:\/\/www.vulture.com\/article\/confessions-of-a-booner.html\">the Booners<\/a> and the trolls, he engages with his audience in a way that only a celebrity born in the age of the internet can: real-time and as ironically as possible. Boone\u2019s aerial cotillion, however, might be the most interesting thing about <em>American Heart<\/em>.<\/p>\n<p>Since the Grammys and the first appearance of the sparkly jumpsuit, he has doubled down on the <a href=\"https:\/\/people.com\/benson-boone-style-transformation-photos-8786364\">loud<\/a> outfits. The lead single, \u201cMystical Magical,\u201d despite its more <a href=\"https:\/\/x.com\/rapciity\/status\/1942335570593894570\">meme-able lyrics<\/a>, has a solid melody, interpolated from Olivia Newton-John\u2019s \u201c<a href=\"https:\/\/www.cosmopolitan.com\/entertainment\/music\/a64591284\/benson-boone-mystical-magical-lyrics\/\">Physical<\/a>.\u201d It has its nonsensical moments (not quite sure what \u201cmoonbeam ice cream\u201d is) and meandering stanzas (\u201cbut I wouldn\u2019t mind it if you gave me just a little bit of something we could work it with but all you do is push me out\u201d \u2014 did we need 28 words for that?); but Boone\u2019s tracks have an energy that carries them through the jaded critiques of the internet, emerging with some decent pop on the other side. On the tenth or eleventh listen, he really starts to reach you.\u00a0<\/p>\n<aside class=\"scaip scaip-1    \">\n\t\t<\/aside>\n<p>The other tracks on the album don\u2019t stray too far from this type of radio pop, but there\u2019s an interesting variety that still manages to feel cohesive \u2014 a feat for any artist. \u201cSorry I\u2019m Here for Someone Else\u201d opts for some lighter synths that are less than offensive. There\u2019s some middling vocal distortion heading into a catchy chorus that works in an acceptable amount of Boone\u2019s vocal chops; he\u2019s pleasantly toned down the screechy belting, which marked \u201cBeautiful Things\u201d for the majority of this record. \u201cMomma Song\u201d and \u201cTake Me Home\u201d mark his obligatory building ballads. \u201cI Wanna Be The One You Call\u201d starts off with a more indie feel before eventually devolving into its meshed production that seems to serve as Boone\u2019s default for escalating a track. I\u2019d even say \u201cWanted Man\u201d ventures into true, gritty pop-rock. The songs are largely catchy, energetic and fun to listen to. Boone also doesn\u2019t overstay his welcome, the album is only 30 minutes long.\u00a0<\/p>\n<p>I want to be the contrarian and insist that Boone is making largely harmless pop. I would love to insist that the hordes of people bullying him for his sparkly jumpsuit and aerodynamic displays are not only morally incorrect but also technically wrong. But there\u2019s something about the lyrical construction of some of Boone\u2019s songs that make them almost unlistenable. \u201cMan In Me\u201d is perhaps the most egregious offender: a drugged, distorted ballad with vocals that recall Brendon Urie, the ghost of <a href=\"https:\/\/faroutmagazine.co.uk\/forgotten-truth-brendon-urie\/\">controversial <\/a>vocalists past. Lyrics blame Boone\u2019s past lover for taking away the \u201cman\u201d in him, his favorite part of himself. In \u201cYoung American Heart\u201d and \u201cMr Electric Blue,\u201d Boone waxes about all things American, the hard work, the heart. In \u201cMystical Magical,\u201d there\u2019s a slow but present urging, as Boone sings, \u201cI don\u2019t mind if this is gonna take a million days, I know you\u2019ll come around to me eventually.\u201d Eerie. Kind of sinister.\u00a0<\/p>\n<p>There\u2019s a disconnect between the sparkly, backflip-filled performances and his whimsy <a href=\"https:\/\/www.tiktok.com\/@bensonboone\/video\/7510393033813265710\">moonbeam ice cream<\/a>, and the album\u2019s cover, graced by Boone\u2019s dirt-covered abs backed by an American flag. Boone\u2019s exterior presents a shiny, curiously <a href=\"https:\/\/www.youtube.com\/watch?v=hxD10j0t9t4&amp;list=RDhxD10j0t9t4&amp;start_radio=1\">Queen<\/a> and The Killers-inspired pop album, themed around an Americana that he certainly isn\u2019t intending to forget but that he\u2019s not saying anything about either. His act is rooted in a masculinity and patriotism that his more recent, less grounded performances eschew. So when he sings about feeling like \u201cmoonbeam ice cream,\u201d his goofy crooning and flippant attitude doesn\u2019t quite gel. \u201cWanted Man\u201d perhaps walks this line the best, a balance of pulsating, catchy pop and a dark atmosphere that manages to contain his tortured croon, even as his vocals scrape the ceiling, approaching the cavalier promise of his singles.\u00a0<\/p>\n<p>Whether Boone\u2019s intention with the disjointed album theming is to nobly broaden who can claim this soulful Americana or to simply appeal to the traditionalist values that lie within the country sphere, what it says about him is clear. It\u2019s a facet of his celebrity that has been present ever since the Grammys: Boone tends to cater to the highest attention-bidder, leaving his work a largely dysfunctional clash of glitter and dirt, backflips and barbecues. When Boone jumps, it\u2019s because someone, probably a TikTok, has already viciously mocked how high. It has resulted in an eerily soulless album, one that drones straight through its American stereotypes, entirely uncritical in its approach, or unaware of the arguments its implicit masculinity and nationalism are making. It\u2019s a weak offspring of a mainstream country-music landscape that has recently seen entries from thematic powerhouses like <a href=\"https:\/\/www.telegraph.co.uk\/music\/artists\/beyonce-cowboy-carter-country-controversy\/\">Beyonc\u00e9<\/a> and <a href=\"https:\/\/www.vulture.com\/article\/all-we-know-about-lana-del-reys-country-album-yall.html\">Lana Del Rey<\/a>.<\/p>\n<p>Perhaps Boone himself says it best in his <a href=\"https:\/\/www.youtube.com\/watch?v=urvOHl73hdc\">interview<\/a> with Zane Lowe: \u201cThere\u2019s not a thought process. It\u2019s more like when I\u2019m up there, I just do whatever feels right.\u201d His latest album reflects his approach to fame: shiny, buoyant and reactive. Turns out, once it lands, there\u2019s not much else to look at.<\/p>\n<aside class=\"scaip scaip-2    \">\n\t\t<\/aside>\n<p><em>Daily Arts Writer Cora Rolfes can be reached at <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/music\/benson-boones-new-album-is-shiny-and-buoyant-but-what-else\/mailto:corolfes@umich.edu\"><em>corolfes@umich.edu<\/em><\/a><em>.<\/em><\/p>\n<aside>\n\t\t<\/aside>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related articles<\/em><\/h3>\n<\/p><\/div>\n<p><script async src=\"\/\/www.tiktok.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The story of Benson Boone\u2019s second album, American Heart, doesn\u2019t start with the album\u2019s June 20 release. It also didn\u2019t start with the release of the viral lead single, \u201cMystical Magical,\u201d in April. Boone\u2019s latest album lived and died in a crowded room in February, as he backflipped into the chorus of his screeching hit, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2015,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[1147,79,2248,2249,2252,2250,2251],"class_list":{"0":"post-2014","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-album","9":"tag-american","10":"tag-benson","11":"tag-boones","12":"tag-buoyant","13":"tag-heart","14":"tag-shiny"},"_links":{"self":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/2014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/comments?post=2014"}],"version-history":[{"count":1,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/2014\/revisions"}],"predecessor-version":[{"id":2016,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/2014\/revisions\/2016"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media\/2015"}],"wp:attachment":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media?parent=2014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/categories?post=2014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/tags?post=2014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}