{"id":3077,"date":"2025-10-08T20:49:04","date_gmt":"2025-10-08T20:49:04","guid":{"rendered":"https:\/\/tmbglobal.news\/index.php\/2025\/10\/08\/three-local-bands-bring-their-diverse-sounds-to-annual-wcbn-show\/"},"modified":"2025-10-08T20:49:06","modified_gmt":"2025-10-08T20:49:06","slug":"three-local-bands-bring-their-diverse-sounds-to-annual-wcbn-show","status":"publish","type":"post","link":"https:\/\/tmbglobal.news\/index.php\/2025\/10\/08\/three-local-bands-bring-their-diverse-sounds-to-annual-wcbn-show\/","title":{"rendered":"Three local bands bring their diverse sounds to annual WCBN show"},"content":{"rendered":"<p><\/p>\n<div>\n<p>Saturday night at The Blind Pig shared a diverse musical journey with Ann Arbor. Over the course of three acts, Horse Bomb, Odd Reality and The Goopies took the audience on a roller coaster ride of a show. Whether it was original songs or post-hardcore cuts from across eras of rock, the audience met each drop, twist and turn screaming with their hands up.<\/p>\n<p>As the first act of the night, Horse Bomb set the chaotic tone of their set immediately. A rowdy cover of Radiohead\u2019s \u201cCreep\u201d featuring an audience member transformed into a whirl of distorted noise for the song\u2019s transition. The lights shone on the stage and the instruments \u2014 a guitar, drums and a keyboard \u2014 built off the crescendo at the end of their rendition.\u00a0<\/p>\n<p>The rest of their set continued with the same level of predictability \u2014 that is to say, none. Horse Bomb bounced around between crazy distortions, drum combos and heavy instrumentals. While at first hesitant to move to their sound, the audience started to buy in. A circle quickly formed in the pit as a crowd began to fill The Blind Pig. The energy was up, and the crowd was ready for the rest of the night.\u00a0<\/p>\n<p>Following Horse Bomb was Detroit post-hardcore group Odd Reality. Odd Reality has the unassuming, shtick-less look of all the best hardcore bands \u2014 they\u2019re like those four guys you sorta knew in high school wearing the same old T-shirts and blue jeans, right up until the moment they start playing.<\/p>\n<aside class=\"scaip scaip-1    \">\n\t\t<\/aside>\n<p>The opener, \u201cVirtuous,\u201d was explosive and effortlessly engaging; the mosh pit began to form before the first chorus hit. The energy started high with a barrage of thrashing post-punk and did not relent for the rest of the night. Following two more originals, \u201cFly Away\u201d and \u201cAfterglow,\u201d rhythm guitarist and vocalist Mark Warren called out to the audience for the first time in the night: \u201cAnyone here know Title Fight?\u201d\u00a0<\/p>\n<p>Having scribbled some variation of \u201cTitle Fight influence?\u201d roughly three times in my notes prior to this moment, I immediately joined the crowd in chanting \u201cShed! Shed!\u201d unsure if I wanted them to play the entire 2011 album or simply its title track. In response, the quartet launched into a faithful cover of \u201cStab,\u201d suitably bass-heavy and furious.\u00a0<\/p>\n<p>An unreleased original, \u201cLet Me Out,\u201d somehow crushed this high bar. The chorus was punchy and utterly classic, with guitars chugging and vocalists harmonizing. By the end of the song, one vocalist had lost his hat and the drummer had lost his shirt. If the set was not fully underway beforehand, it most definitely was now.\u00a0\u00a0<\/p>\n<p>After another heartfelt Title Fight cover, Odd Reality introduced their next original, \u201cInternal,\u201d with the wry line, \u201cif anyone has emotions you can relate.\u201d Here, guitarist and harsh vocalist Brett Shannahan wore many hats, and well \u2014 he went from talk-singing to drop-jaw screaming to soloing, completely dominating the heavy shoegazey track. The audience was fully bought in, still moshing but now clapping along.\u00a0<\/p>\n<p>\u201cThe Anime Song\u201d (written a week before and named such because they \u201ccouldn\u2019t come up with anything else\u201d) aptly sounded like the theme song to an early 2000s <a href=\"https:\/\/tvtropes.org\/pmwiki\/pmwiki.php\/Main\/ShonenDemographic\">sh\u014dnen<\/a> \u2014 nimble and hooky, the lead riff bouncing from guitar to guitar, ending with an ascending solo.\u00a0Conversely, the finale, \u201cI Got a Speeding Ticket on Rainbow Road,\u201d sounded nothing like a Mario Kart song. It was spacey and resonant yet equally as captivating as the rest of their jam-packed set list.<\/p>\n<aside class=\"scaip scaip-2    \">\n\t\t<\/aside>\n<p>While there was no encore, there was bigger news: Odd Reality\u2019s latest single, \u201cLet Me Out,\u201d just dropped. Despite only having three singles currently streaming, Odd Reality plays with the confidence of a cult classic act. If they manage to cram even half their live energy onto a record, it\u2019s going to be big.\u00a0<\/p>\n<p>Recovering from nearly an hour of moshing, the audience took a moment to breathe while the lights came up, revealing a sea of sweaty, smiling faces. <\/p>\n<p>When The Goopies politely made their way on set, each member was wearing a different color neckerchief like an indie new-wave version of Sailor Moon. With little preamble, they began their set with an appropriately cheeky and plucky cover of XTC\u2019s \u201cMaking Plans for Nigel.\u201d Tragically, all three vocalists\u2019 mics were just a bit too soft for the majority of the set, but they made up for it with sheer energy and charm. I\u2019d seen The Goopies play before at a co-op party, and can confirm that they bring the same far-out authenticity to a living room as they do a venue stage.\u00a0<\/p>\n<p>Next, \u201cShe Don\u2019t Use Jelly\u201d by The Flaming Lips and Radiator Hospital\u2019s \u201cCut Your Bangs\u201d were made anew \u2014 stripped down, reharmonized and melodically reshaped but still similar enough to keep the crowd singing along. Between songs, the drummer drank water not from a plastic Dasani bottle but from a crystal glass mug straight from your grandmother\u2019s cupboard.\u00a0<\/p>\n<p>Bassist Ruby Howard introduced their second original, \u201cSweet Dreams,\u201d explaining that Sweet Dreams is a cat in an Annie Dillard novel (probably \u201cPilgrim at Tinker Creek\u201d) and that she has been wanting a cat of her own for some time now. I\u2019ll say this \u2014 if they release this song on Spotify, I will personally find her a cat out of gratitude. Slowed down and contemplative, it ended up becoming my favorite song of the set. All three vocalists sang low harmonies, and the guitars seemingly kept building toward some huge payoff, only to immediately sink back into twinkly quietude.\u00a0<\/p>\n<aside class=\"scaip scaip-3    \">\n\t\t<\/aside>\n<p>Overall, the set showed remarkable range, covering everything from an indie-pop Dear Nora deep cut to a funky \u201970s dance-rock original about \u201crollerskating and friendship\u201d in which the crowd was encouraged to do <a href=\"https:\/\/www.youtube.com\/watch?v=im9XuJJXylw\">the twist<\/a>. It\u2019s clear that The Goopies are not beholden to narrow influences and will not be limited by genre boxes.\u00a0<\/p>\n<p>All of this built to the well-earned finale: a standout cover of Tom Tom Club\u2019s \u201cGenius of Love,\u201d during which all band members (even the drummer!) were singing. The crowd was springing, meeting the band\u2019s missed notes with wild cheers.<\/p>\n<p>For the encore \u2014 the audience didn\u2019t even let them leave the stage \u2014 The Goopies pulled out an older punk-flavored original called \u201cNeuter,\u201d complete with some ground rules: \u201cWhenever we bark and stuff \u2026 you should bark and stuff.\u201d\u00a0<\/p>\n<p>In a testament to The Goopies\u2019 charisma, the audience howled like stray dogs until they left the stage, no questions asked. The barking continued until the lights beamed down on the audience. The audience was laughing, shouting and buzzing \u2014\u00a0everyone had the same thought: \u201cWhat now?\u201d The crowd gave one last roar as the Goopies shouted out the prior acts, and just like that, it was over. Through the different sets, the audience went on a journey across sounds, times and genres, and it was <em>loud<\/em>. At the end, the excitement manifested through the murmur of the crowd. Volume-wise, it paled in comparison to the music, but the joy of being in the moment for the show rang louder than any instrument, voice or audience ever could.<\/p>\n<p><em>Senior Arts Editor Nickolas Holcomb and Daily Arts Writer Siena Beres can be reached at <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/music\/horse-bomb-odd-reality-and-the-goopies-took-the-blind-pig-on-a-musical-rollercoaster-that-had-the-audience-with-their-hand-ups-and-screaming-around-every-twist-and-turn\/mailto:nickholc@umich.edu\"><em>nickholc@umich.edu<\/em><\/a><em> and <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/music\/horse-bomb-odd-reality-and-the-goopies-took-the-blind-pig-on-a-musical-rollercoaster-that-had-the-audience-with-their-hand-ups-and-screaming-around-every-twist-and-turn\/mailto:sberes@umich.edu\"><em>sberes@umich.edu<\/em><\/a><em>, respectively.<\/em><\/p>\n<aside class=\"scaip scaip-4    \">\n\t\t<\/aside>\n<aside>\n\t\t<\/aside>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related articles<\/em><\/h3>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Saturday night at The Blind Pig shared a diverse musical journey with Ann Arbor. Over the course of three acts, Horse Bomb, Odd Reality and The Goopies took the audience on a roller coaster ride of a show. Whether it was original songs or post-hardcore cuts from across eras of rock, the audience met each [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3078,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[3191,1088,545,3189,506,926,3190,3192],"class_list":{"0":"post-3077","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-annual","9":"tag-bands","10":"tag-bring","11":"tag-diverse","12":"tag-local","13":"tag-show","14":"tag-sounds","15":"tag-wcbn"},"_links":{"self":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/comments?post=3077"}],"version-history":[{"count":1,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3077\/revisions"}],"predecessor-version":[{"id":3079,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3077\/revisions\/3079"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media\/3078"}],"wp:attachment":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media?parent=3077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/categories?post=3077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/tags?post=3077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}