{"id":3319,"date":"2025-10-24T16:49:06","date_gmt":"2025-10-24T16:49:06","guid":{"rendered":"https:\/\/tmbglobal.news\/index.php\/2025\/10\/24\/aronofskys-crime-comedy-doesnt-understand-itself\/"},"modified":"2025-10-24T16:49:10","modified_gmt":"2025-10-24T16:49:10","slug":"aronofskys-crime-comedy-doesnt-understand-itself","status":"publish","type":"post","link":"https:\/\/tmbglobal.news\/index.php\/2025\/10\/24\/aronofskys-crime-comedy-doesnt-understand-itself\/","title":{"rendered":"Aronofsky\u2019s crime comedy doesn&#8217;t understand itself"},"content":{"rendered":"<p><\/p>\n<div>\n<p>There is nothing quite like New York City in the \u201990s. The abundance of payphones, the short-sleeve T-shirts layered on top of the long-sleeve T-shirt <a href=\"https:\/\/www.justjared.com\/2024\/10\/02\/austin-butler-channels-90s-style-on-set-of-his-new-movie-caught-stealing\/\">combo<\/a>, the grungy look \u2014 these images evoke nostalgia for a bygone era. When this aesthetic is set in the familiar playground of New York, it creates the perfect setting for a gritty narrative. The cultural mecca of NYC offers a familiar environment where dangerous plot twists and risky business are fair game. Most of all, it is the ideal setting for Darren Aronofsky\u2019s (\u201cRequiem for a Dream\u201d) newest crime comedy, \u201cCaught Stealing.\u201d<\/p>\n<p>This fall, Aronofsky, director of gritty dramas like \u201cBlack Swan,\u201d \u201cRequiem for a Dream\u201d and \u201cThe Whale\u201d took a lighter, yet in some ways more thrilling, tone. Starring Austin Butler (\u201cElvis\u201d) and Zo\u00eb Kravitz (\u201cBlink Twice\u201d) as doomed lovers roped into a money-laundering extravaganza, \u201cCaught Stealing\u201d takes viewers on a chaotic, fast-paced journey all over the streets of late-1990s New York City.\u00a0<\/p>\n<p>The film opens with Hank Thompson, played by Butler, a man drifting aimlessly through life. Hank works at a small bar while dealing with a bad case of alcoholism himself. His passion is baseball, and his sullen attitude is the result of a car accident that ruined his athletic career in high school and killed his best friend. But this dreary moping turns upside down when his neighbor, Russ (Matt Smith, \u201cThe Crown\u201d), leaves Hank with a cat, a litter box and the key to getting $4.5 million. But Hank is not the only player in this game. Two enemy parties are left behind in Russ\u2019s wake, both willing to do anything and kill anyone to get their hands on the money. Hank runs around the city, fleeing angry Hasidic gangsters and even angrier Russian mobsters and, in the midst of it all, becoming an unwilling culprit in a major criminal scheme.<\/p>\n<p>With characters singing on top of pool tables and steamy moments between Hank and Yvonne (Kravitz), the first 30 minutes of \u201cCaught Stealing\u201d are a truly delightful time. Butler, who has finally shaken off the Elvis <a href=\"https:\/\/www.vox.com\/culture\/23672646\/austin-butler-elvis-accent-vocal-coach-erik-singer\">accent<\/a>, captivates viewers with his charisma. This role highlights his range; Butler can not only impersonate a global superstar, but also give a complex, accurate portrayal of an average guy. Aronofsky\u2019s entertaining and lively first act offers the audience a digestible narrative. And, best of all, it presents a set of interesting characters with the potential to develop. Hank is a lost soul in need of purpose and closure from his high school trauma. Yvonne attempts to break down Hank\u2019s walls, but can\u2019t motivate him enough to make a serious change. And Russ, the eccentric neighbor, has just accidentally brought the two into his world of criminal escapades. It is the perfect recipe, and a promising set-up (or so I believed) for an action-filled, thrilling flick.<\/p>\n<aside class=\"scaip scaip-1    \">\n\t\t<\/aside>\n<p>As the film approached its midpoint, however, an abrupt tonal shift began to shake my faith in the film. One minute, we\u2019re laughing at Bud (Tonic, \u201cPet Semetary\u201d), the star cat of the film, and the next we are shocked by a major, emotional moment: Yvonne\u2019s death. Hank walks into her apartment, only to find her brutally murdered in what he can only assume is meant to be read as a warning. <\/p>\n<p>The odd thing about this scene is how quickly it is brushed over. Hank is sad for all of about two minutes, then he continues running around the city, figuring out what the hell he got himself into. Throughout the remainder of the film, there are few moments where we see this grief for Yvonne return. Instead, jumping from his grief to comedic interactions and dangerous stunts, though, it seems as though the film is trying to escape each genre it presents itself as.<strong> <\/strong>The film tries to cover too much ground, and as a result completely brushes over one of its major characters\u2019 deaths, leading Hank \u2014 who I once believed had many layers \u2014 to ultimately come across as shallow. I couldn\u2019t tell if this choice was insensitive or just poorly executed, but either way, it led the film down a poor path.<\/p>\n<p>Unfortunately, this path is followed all the way to the final moments of the film. \u201cCaught Stealing\u201d continues to follow Hank closely, but instead of observing his relationships with Yvonne or even Russ, most of his screen time is split between being cornered by the Russians and being cornered by the Hasidic brothers. There are moments where it seems Hank could never make it out alive, and somehow, either by leftovers of his teenage athleticism or by pure chance, he does. He defeats the odds, makes it out alive and we, the audience, sigh with relief. <\/p>\n<p>Despite these moments being entertaining, I wished Hank\u2019s character and interpersonal relationships were explored more thoroughly throughout the movie. Yvonne\u2019s death occurring so early on in the film eliminates all chances for her character to have a strong impact on Hank, despite the fact that this seems to be what the film was setting up as its catalyst. Russ\u2019s friendship with Hank is never fleshed out, and their partnership in this crime has no emotional draw. When the film occasionally attempts to dig deeper into Hank\u2019s character, it is through flashbacks to his high school car crash. Even then, the film does not succeed, as there is no moment that shows Hank overcoming this trauma, but rather a collection of random moments that have little significance to the plot. While every good character needs a backstory, I would have been much more interested in learning who Hank is now \u2014 something the film\u2019s action-heavy sequences took away from.<\/p>\n<p>In theory, \u201cCaught Stealing\u201d seems like it would be a fan favorite. It is a pivot away from heavy dramas and toward films that are, simply put, a good time. Amid the chaos of everyday life, it is hard to gather enough energy to dig up a film\u2019s message from 1,000 layers beneath the surface. But in order for a fun film like this to work, the characters need to be established beyond the surface level, and the genre needs to remain consistent throughout the movie.\u00a0<\/p>\n<aside class=\"scaip scaip-2    \">\n\t\t<\/aside>\n<p>There is no room for uncertainty in the middle of a major crime scheme. Yet, watching \u201cCaught Stealing,\u201d I often felt that Aronofsky himself was uncertain of what the film was and what it wanted to be. I never knew whether I was supposed to be saddened, amused or intrigued by the events on my screen \u2014 and many times, it seemed the characters felt the same way. This complete avoidance of a clear tone prevented me from empathizing with Hank, and, by the end, I wasn\u2019t rooting for any party to get the $4.5 million.\u00a0<\/p>\n<p>It is important to have fun movies that offer us an escape from the drama of our own lives. But while Aronofsky\u2019s film certainly had the potential to deliver this, it failed at drawing the line between clever and insincere. In the end, \u201cCaught Stealing\u201d was many, many things \u2014 and that was its problem.<\/p>\n<p><em>Daily Arts Writer Abigail Weinberg can be reached at <a href=\"https:\/\/www.michigandaily.com\/arts\/film\/caught-stealing-collapses-in-on-itself\/mailto:weinab@umich.edu\">weinab@umich.edu<\/a>.<\/em><\/p>\n<aside>\n\t\t<\/aside>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related articles<\/em><\/h3>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>There is nothing quite like New York City in the \u201990s. The abundance of payphones, the short-sleeve T-shirts layered on top of the long-sleeve T-shirt combo, the grungy look \u2014 these images evoke nostalgia for a bygone era. When this aesthetic is set in the familiar playground of New York, it creates the perfect setting [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3320,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[3390,616,2095,899,3391],"class_list":{"0":"post-3319","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-aronofskys","9":"tag-comedy","10":"tag-crime","11":"tag-doesnt","12":"tag-understand"},"_links":{"self":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/comments?post=3319"}],"version-history":[{"count":1,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3319\/revisions"}],"predecessor-version":[{"id":3321,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3319\/revisions\/3321"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media\/3320"}],"wp:attachment":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media?parent=3319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/categories?post=3319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/tags?post=3319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}