{"id":3427,"date":"2025-10-31T19:49:04","date_gmt":"2025-10-31T19:49:04","guid":{"rendered":"https:\/\/tmbglobal.news\/index.php\/2025\/10\/31\/review-of-jordan-peele-produced-psychological-horror-him\/"},"modified":"2025-10-31T19:49:14","modified_gmt":"2025-10-31T19:49:14","slug":"review-of-jordan-peele-produced-psychological-horror-him","status":"publish","type":"post","link":"https:\/\/tmbglobal.news\/index.php\/2025\/10\/31\/review-of-jordan-peele-produced-psychological-horror-him\/","title":{"rendered":"Review of Jordan Peele-produced psychological horror \u2018Him\u2019"},"content":{"rendered":"<p><\/p>\n<div>\n<p>Football. In a small, rural high school smack dab in the middle of Ohio, football may have very well been the first word I heard when I entered high school. What stood out to me about this sport was not its fast-paced action, and definitely not its entertainment value, but its incredible ability to take over the lives of everyone around me \u2014\u00a0from obsessive players to crazed, small-town fans. Moving to college, this obsession seems to have followed me, as every weekend I watch thousands of attendees make their way to Michigan Stadium. I\u2019m haunted by the one sport I can\u2019t understand.<\/p>\n<p>When I saw the latest horror film in theaters was not just a sports horror, but a <em>football <\/em>horror, I was neither phased nor interested. What did intrigue me, however, was the immensely divisive <a href=\"https:\/\/movieweb.com\/him-reactions-marlon-wayan-horror-thriller\/\">discourse<\/a> it was causing online. It seemed that all these reactions came as a result of the big name attached to this film: Jordan Peele.\u00a0<\/p>\n<p>Ever since 2017\u2019s immensely successful \u201cGet Out,\u201d Peele has brought the psychological horror film genre to a new level of dark and twisted. In past projects like \u201cGet Out\u201d and \u201cUs,\u201d his work has gone beyond the classic psychological trope of madness, delving into societal issues such as systemic racism and class ideologies. These works drew <a href=\"https:\/\/www.vanityfair.com\/hollywood\/2017\/02\/get-out-jordan-peele-review\">praise<\/a> from fans and critics, and led to Peele becoming the first Black person to win the <a href=\"https:\/\/www.vulture.com\/2018\/03\/oscars-2018-jordan-peele-wins-best-original-screenplay.html\">Academy Award<\/a> for Best Original Screenplay for \u201cGet Out.\u201d However, Peele\u2019s success streak seemed to end with his last film \u201cNope,\u201d which was seen by critics as too <a href=\"https:\/\/loudandclearreviews.com\/nope-review-jordan-peele-movie-2022\/\">ambitious<\/a>, with little <a href=\"https:\/\/www.theguardian.com\/film\/2022\/aug\/14\/nope-review-jordan-peele-daniel-kaluuya\">connection<\/a> between plot points \u2014 from horse ranch activities to UFO sightings. So, when Peele\u2019s name appeared in the title card next to the psychological football horror \u201cHim,\u201d not as a director but as a producer, it was unclear what this new project would look like. But given my disinterest in football, as well as Peele\u2019s lack of creative direction on the film, my expectations were low. That was, until \u201cHim\u201d proved me wrong.<\/p>\n<p>Cameron \u201cCam\u201d Cade (Tyriq Withers, \u201cI Know What You Did Last Summer\u201d) is a quarterback tackling a quick rise to fame and the opportunity to join the professional football league, the USFF. But\u00a0there\u2019s a catch: To earn his spot in this league and on his dream team, The Saviors, he must make it through a week of training with his predecessor, quarterback Isaiah White (Marlon Wayans, \u201cScary Movie\u201d). As the week begins, the plot becomes more absurd and Cam\u2019s problems worsen. At Isaiah\u2019s house, Cam is locked in a sauna, injected with unknown medicine and haunted by a rolling football (of course). Isaiah\u2019s wife, Elsie (Julia Fox, \u201cUncut Gems\u201d), seems like a beacon of normality at first, but soon proves to be just as corrupt as the rest. All the while, Cam and Isaiah\u2019s relationship grows increasingly tense, as Isaiah teaches Cam what he will have to give up to become the greatest.<\/p>\n<aside class=\"scaip scaip-1    \">\n\t\t<\/aside>\n<p>The concept of being the Greatest of All Time, or the \u201cGOAT,\u201d is a prevalent motif throughout this film, alongside extremely similar descriptions of success such as becoming \u201cHim\u201d (or, in other words, becoming the best). Both \u201cGOAT\u201d and \u201cHim\u201d are terms whose origins are tied to Black athleticism. The former <a href=\"https:\/\/www.usatoday.com\/story\/sports\/ftw\/2017\/08\/04\/just-when-did-we-all-start-using-goat-anyway\/104289206\/\">originated<\/a> with Muhammad Ali, and has since been used to describe athletes like Michael Jordan, LeBron James and Simone Biles. \u201cHim,\u201d often used in the phrase \u201cI\u2019m him,\u201d was <a href=\"https:\/\/www.youtube.com\/watch?v=qbho0-hJlIc\">popularized<\/a> by Odell Beckham Jr. in 2019. Given that professional American football is a majority Black sport filled with some of the highest-achieving athletes in the world, it\u2019s no surprise that \u201cGOAT\u201d and \u201cHim\u201d soon found their place on the field. But for everything the words celebrate, it also casts a veil over the debilitating pressure haunting <a href=\"https:\/\/theflorala.com\/14524\/sports\/the-complexity-of-black-athleticism\/\">Black athleticism<\/a>. Players work toward unattainable standards of perfection, conditioned to believe that all their work is meaningless if they cannot be The Greatest of All Time.<\/p>\n<p>Throughout Isaiah and Cam\u2019s training, these terms consistently arise. Cam\u2019s greatest motivation is his family \u2014 particularly his deceased father, who introduced him to the sport at a young age \u2014 as well as the <em>idea<\/em> of being the greatest. Isaiah sees Cam\u2019s love for his family as a weakness, emphasizing that if Cam truly wants to be the GOAT, he will need to stop caring about everyone and everything. These all-or-nothing conversations between the two raise the stakes and eventually reveal more and more of the league\u2019s cult-like influence. Wayans\u2019 performance in these scenes is nothing short of extraordinary, with a demeanor so tense that one missed pass could send him spiraling. After decades as a player, Isaiah has been conditioned to view football through a toxic, all-consuming lens. He has become so wrapped up in the pressure of being \u201cHim,\u201d that the sport and the league have completely taken over his life. As Cam follows in Isaiah\u2019s footsteps, he seems doomed to repeat this destiny.\u00a0<\/p>\n<p>The building unease peaks when Cam is dropped off at one of the league\u2019s parties, disguised as a sketchy outlet mall. Between Elsie vaguely mentioning the executive\u2019s \u201crituals\u201d to Isaiah\u2019s medic whispering \u201crun\u201d in Cam\u2019s ear, it\u2019s clear that the night is about to go downhill. However, Cam, enticed by this extravagant atmosphere reeking of money and success,\u00a0loses himself in the party. He is introduced to all the attendees and, in a particularly unsettling moment, we see a group of Isaiah\u2019s executives from The Saviors examine their newest player. Through slow pans around this table, flashing lights and zooms of these old men, the shots become increasingly disorienting as Cam loses his own alertness. Layering this trippy camerawork over the league\u2019s twisted nature perfectly enhances the narrative of an organization using fun and fortune to cover up their true motives. In this primarily white environment, it is clearer than ever how the league is profiting from the objectification of Black bodies, recruiting them as pawns in a game much bigger than football. It is moments like this that bring such powerful direct parallels to the story and shine a new light on football\u2019s glamorized legacy.\u00a0<\/p>\n<p>While moments like these highlight Peele\u2019s influence, \u201cHim\u201d is ultimately a unique Justin Tipping (\u201cKicks\u201d) film. Instead of relying on a linear narrative, the film opts for confusing moments that make you question whether certain scenes are real or just a trick of Cam\u2019s mind. On a larger scale, the film raises similar questions about the real world, leading audiences to <a href=\"https:\/\/www.theverge.com\/entertainment\/781175\/him-review-justin-tipping-marlon-wayans\">wonder<\/a> how much of the USFF is based on the National Football League. We see Peele\u2019s impact here, as the film seeks to portray issues of systemic racism in a new light, particularly through the creative canvas of horror. Cameron Cade faces generational pressure from his family, sacrificial pressure from his mentor and, ultimately, the greatest pressure of all from the league: to relinquish his entire identity in trade for his sport. His story shines a light on the less glamorous side of professional sports, made up of environments infected by racial stereotypes and toxic masculinity. It is what makes \u201cHim\u201d not just another glorified sports success film, but rather a cultural critique of one of the largest athletic networks in the world.\u00a0<\/p>\n<p><em>Daily Arts Writer Abigail Weinberg can be reached at <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/film\/him-makes-football-horrifying\/mailto:weinab@umich.edu\"><em>weinab@umich.edu<\/em><\/a><em>.<\/em><\/p>\n<aside class=\"scaip scaip-2    \">\n\t\t<\/aside>\n<aside>\n\t\t<\/aside>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related articles<\/em><\/h3>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Football. In a small, rural high school smack dab in the middle of Ohio, football may have very well been the first word I heard when I entered high school. What stood out to me about this sport was not its fast-paced action, and definitely not its entertainment value, but its incredible ability to take [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3428,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[2532,1644,3480,3481,695],"class_list":{"0":"post-3427","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-horror","9":"tag-jordan","10":"tag-peeleproduced","11":"tag-psychological","12":"tag-review"},"_links":{"self":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/comments?post=3427"}],"version-history":[{"count":1,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3427\/revisions"}],"predecessor-version":[{"id":3429,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3427\/revisions\/3429"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media\/3428"}],"wp:attachment":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media?parent=3427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/categories?post=3427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/tags?post=3427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}