{"id":3574,"date":"2025-11-10T07:49:05","date_gmt":"2025-11-10T07:49:05","guid":{"rendered":"https:\/\/tmbglobal.news\/index.php\/2025\/11\/10\/tmd-book-review-predicts-the-2025-booker-prize-winners\/"},"modified":"2025-11-10T07:49:23","modified_gmt":"2025-11-10T07:49:23","slug":"tmd-book-review-predicts-the-2025-booker-prize-winners","status":"publish","type":"post","link":"https:\/\/tmbglobal.news\/index.php\/2025\/11\/10\/tmd-book-review-predicts-the-2025-booker-prize-winners\/","title":{"rendered":"TMD Book Review predicts the 2025 Booker Prize winners"},"content":{"rendered":"<p><\/p>\n<div>\n<p><em>Like writers of The Michigan Daily Book Review\u00a0<a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2024-the-michigan-daily-book-reviews-predictions\/\">past<\/a>, our fearless reviewers are once again tackling the\u00a0<a href=\"https:\/\/thebookerprizes.com\/\">Booker Prize Shortlist<\/a>. Every year, six English-language books published in the UK and Ireland are nominated, and six Daily reviews follow. As our Booker season comes to an end, read our final predictions below! <\/em><\/p>\n<p><em>\u2014 Cora Rolfes, Senior Arts Editor and Alex Hetzler, Books Beat Editor<\/em> <\/p>\n<p><strong>Most confusing nomination: \u201cAudition\u201d by Katie Kitamura<\/strong> <\/p>\n<p>Slightly esoteric and definitely ambitious, \u201cAudition\u201d by Katie Kitamura is a novel full of tension and intrigue that, while well-written, forces you to read between the lines a little too much. Although riddled with profound themes \u2014 three of which we dive into deeper in our <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-audition-tries-out-for-a-part-beyond-its-reach\/\">full review<\/a> \u2014 we believe the Booker-nominated novel ultimately falls short because of just how much room it leaves for interpretation. While leaving space for the imagination to run free is usually a positive and characterizing quality of literary fiction, we found that \u201cAudition\u201d said too little and omitted too much. Its craft proficiency and careful exploration of important themes certainly make it deserving of a nomination, but the contentious nature of these aforementioned shortcomings make us hesitant to predict a final win for Kitamura\u2019s novel. While definitely still worth a read, we ultimately think there are other nominees that stand a better chance of taking home this year\u2019s Booker Prize.\u00a0<\/p>\n<aside class=\"scaip scaip-1    \">\n\t\t<\/aside>\n<p><em>Managing Arts Editor Camille Nagy, Daily Arts Writer Graciela Batlle Cestero and Daily Arts Contributor Ava Emery can be reached at <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:camnagy@umich.edu\"><em>camnagy@umich.edu<\/em><\/a><em>, <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:gbatllec@umich.edu\"><em>gbatllec@umich.edu<\/em><\/a><em> and <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:avaemery@umich.edu\"><em>avaemery@umich.edu<\/em><\/a><em>, respectively.\u00a0<\/em><\/p>\n<p><strong>Most hoops shot: \u201cThe Rest Of Our Lives\u201d by Benjamin Markovits<\/strong> <\/p>\n<p>Benjamin Markovits\u2019 \u201cThe Rest of Our Lives\u201d is a quietly cathartic exploration of discontent in middle age. The novel follows its apathetic protagonist, Tom Layward, as he goes on a road trip and contemplates making good on a decade-old promise to leave his cheating wife after their children leave for college. It\u2019s a book that is ultimately concerned with purpose \u2014 how one is needed in a marriage, a family and in a community as they develop and change over time. Readers encounter familiar dilemmas of age: undiagnosed health issues, marital strife and tension, emotional repression and frustration with younger generations and new cultural norms. However, like we discuss in our <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-rest-of-our-lives-by-benjamin-markovits\/\">full review<\/a>, that is ultimately what this book is: repressed. Markovits raises these complex issues but refuses to commit to entirely confronting them. While the Booker Prize committee <a href=\"https:\/\/thebookerprizes.com\/the-booker-library\/books\/the-rest-of-our-lives\">describes<\/a> this entry as \u201cpitch perfect, quietly exhilarating and moving,\u201d we find it to be closer to timid, uncommitted and meandering. \u201cThe Rest of Our Lives\u201d is certainly a well-written novel, and for those it is meant to speak to, it definitely will. But as for distinguishing it as the absolute best English novel of the year, we would have to respectfully decline.\u00a0<\/p>\n<p><em>Daily Arts Writers Awmeo Azad and Kathryn Hemmila can be reached at <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:awmeo@umich.edu\">awmeo@umich.edu<\/a>\u00a0 and <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:khemmila@umich.edu\">khemmila@umich.edu<\/a>, respectively.\u00a0<\/em><\/p>\n<p><strong>Most disappointing entry: \u201cThe Land in Winter\u201d by Andrew Miller<\/strong> <\/p>\n<aside class=\"scaip scaip-2    \">\n\t\t<\/aside>\n<p>Set in the freezing English countryside, Andrew Miller\u2019s novel, \u201cThe Land in Winter,\u201d explores marital dissatisfaction and infidelity but struggles to penetrate the surface of its characters\u2019 psyches. The book\u2019s initial promise of nuanced storytelling and small-town intrigue is hampered by an unsatisfying narrative, which we discuss further in our <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-2025-the-disappointingly-dull-domestic-drama-of-the-land-in-winter\/\">full review<\/a>. The author struggles to balance the novel\u2019s four main cast members, with entire plotlines and characters falling to the wayside as the novel progresses. This jarring abandonment of certain aspects of the story would be acceptable if it resulted in an interesting plot, but instead the rest of the novel reads as an amalgam of clich\u00e9s and half-baked narratives poorly tied together. While Miller\u2019s prose momentarily shines through as delicate and enlightening, his writing more often reads as monotonous and burdensome. Considering the novel\u2019s predictable plot, dull characters and confusing third act, it is difficult to picture this nominee winning the Booker Prize this year.<\/p>\n<p><em>Daily Arts Writers Lorenzo Norbis and Ethan Rogers can be reached at <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:lnorbis@umich.edu\"><em>lnorbis@umich.edu<\/em><\/a><em> and <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:ethanrog@umich.edu\"><em>ethanrog@umich.edu<\/em><\/a><em>, respectively.<\/em><\/p>\n<p><strong>Most sprawling text: \u201cThe Loneliness of Sonia and Sunny\u201d by Kiran Desai<\/strong><\/p>\n<p>Reaching across continents and through generations, Kiran Desai ambitiously explores themes of isolation and authenticity in \u201cThe Loneliness of Sonia and Sunny.\u201d Despite its impactful message surrounding creative expression \u2014 which we discuss further in our <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-long-winded-tangle-that-is-the-loneliness-of-sonia-and-sunny\/\">full review<\/a> \u2014 we believe that the story failed to measure up to its full potential. Desai intimately and attentively depicts the struggles of solitude that so many face today, yet we found the novel struggled to employ a singular genre effectively. There was a jarring genre shift toward magical realism in the final stretch of the book, diluting the complexity of the aforementioned themes. While the feeling of isolation is universal, somewhere in the midst of this epic she alienates her characters from readers as well. Ultimately, we think that the other nominees are less disordered and more likely to win this year.<\/p>\n<p><em>Daily Arts Writer Meagan Ismail and Daily Arts Contributor Sofia Thornley can be reached at <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:mismai@umich.edu\"><em>mismai@umich.edu<\/em><\/a><em> and <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:tsofia@umich.edu\"><em>tsofia@umich.edu<\/em><\/a><em>, respectively<\/em><\/p>\n<aside class=\"scaip scaip-3    \">\n\t\t<\/aside>\n<p><strong>Most likely to win: \u201cFlashlight\u201d by Susan Choi<\/strong> <\/p>\n<p>Susan Choi\u2019s \u201cFlashlight\u201d is a portrait of a family suffering through loss. The strongest aspect of the novel, however, comes from the larger social commentary shown through its focused characters and global setting. Choi\u2019s narrative jumps through time to reveal not only the history of a family, but the untold stories of immigrants often lost as numbers in the pages of history books. It follows many perspectives \u2014 all of which cast doubt on the others \u2014 forcing the reader to engage with and embrace the novel for all its complexities, accepting that the characters are ever-changing. Like those outside of fiction, these characters are reflections of the experiences they collect over the course of their lives. For this reason, they are difficult and prickly but never truly unlikeable. Choi brings humanity into history as her writing details the influence of historical landscapes on families, and the irrevocable impacts that war and immigration have that many cannot seem to reckon with. \u201cFlashlight\u201d covers an incomprehensible expanse of geography and emotion, fostering the perfect environment for social and interpersonal discussion. For these reasons \u2014 and the many others we discuss in our <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-flashlight-and-the-stories-we-tell-in-the-dark\/\">full review<\/a> \u2014 this is our predicted winner of the 2025 Booker Prize.\u00a0<\/p>\n<p><em>Daily Arts Writer Archisha Pathak and Estlin Salah can be reached at <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:archpath@umich.edu\">archpath@umich.edu<\/a> and <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:essalah@umich.edu\">essalah@umich.edu<\/a>,<\/em> <em>respectively.<\/em> <\/p>\n<p><strong>Most deserving of a win: \u201cFlesh\u201d by David Szalay<\/strong> <\/p>\n<p>The sparseness of David Szalay\u2019s \u201cFlesh\u201d should not convince you \u2014 nor the Booker Prize committee \u2014 that this is a simple novel. Told mostly through dialogue and minimalist third-person descriptions, \u201cFlesh\u201d still manages to portray being human in all of its intimacy, loneliness and confusion without letting us get close enough to protagonist Istv\u00e1n to feel that we really know him. A series of vignettes across decades of Istv\u00e1n\u2019s life, \u201cFlesh\u201d traces the rise of an Eastern European immigrant into the upper strata of British society at the turn of the 21st century, forcing its readers to confront how much control they really have over their dreams or their destinies. Despite the novel\u2019s many strengths \u2014 described in our <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-flesh-is-david-szalays-subtly-brutal-masterpiece\/\">full review<\/a> \u2014 this spare book seems likely to be overlooked for more tangled and ambitious projects, even if those fail to capture the coarseness of humanity in the same way \u201cFlesh\u201d does.<\/p>\n<aside class=\"scaip scaip-4    \">\n\t\t<\/aside>\n<p><em>Daily Arts Writer Claire Rock and Daily Arts Contributor Elias Simon can be reached at <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:rockcl@umich.edu\">rockcl@umich.edu<\/a> and <a href=\"https:\/\/www.michigandaily.com\/arts\/books\/booker-prize-2025-the-michigan-daily-book-reviews-picks-and-predictions\/mailto:elmsimon@umich.edu\">elmsimon@umich.edu<\/a>, respectively.<\/em><\/p>\n<aside>\n\t\t<\/aside>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related articles<\/em><\/h3>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Like writers of The Michigan Daily Book Review\u00a0past, our fearless reviewers are once again tackling the\u00a0Booker Prize Shortlist. Every year, six English-language books published in the UK and Ireland are nominated, and six Daily reviews follow. As our Booker season comes to an end, read our final predictions below! \u2014 Cora Rolfes, Senior Arts Editor [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3575,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[602,3596,1551,524,695,3595,1778],"class_list":{"0":"post-3574","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-book","9":"tag-booker","10":"tag-predicts","11":"tag-prize","12":"tag-review","13":"tag-tmd","14":"tag-winners"},"_links":{"self":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/comments?post=3574"}],"version-history":[{"count":1,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3574\/revisions"}],"predecessor-version":[{"id":3576,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/3574\/revisions\/3576"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media\/3575"}],"wp:attachment":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media?parent=3574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/categories?post=3574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/tags?post=3574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}