{"id":376,"date":"2025-03-20T11:43:48","date_gmt":"2025-03-20T11:43:48","guid":{"rendered":"https:\/\/tmbglobal.news\/index.php\/2025\/03\/20\/slanted-explores-the-horrors-of-conformity\/"},"modified":"2025-03-20T11:44:00","modified_gmt":"2025-03-20T11:44:00","slug":"slanted-explores-the-horrors-of-conformity","status":"publish","type":"post","link":"https:\/\/tmbglobal.news\/index.php\/2025\/03\/20\/slanted-explores-the-horrors-of-conformity\/","title":{"rendered":"\u2018Slanted\u2019 explores the horrors of conformity\u00a0"},"content":{"rendered":"<p><\/p>\n<div>\n<p>When I was little, my mom told me that if I spoke more English than Chinese, I would eventually lose my Asian features and turn white. At the time, I was just heading into preschool, a place where I wouldn\u2019t be at home conversing with just my family anymore. As a naive child, I didn\u2019t know she meant this only metaphorically \u2014 I thought I would get blond hair and blue eyes if I stopped speaking my mother tongue. I don\u2019t know why my mom used this as a threat, because to me it seemed more like an enticing possibility than an undesirable punishment. For the first six years of my life, I grew up as one of the few Asian Americans in my town, and I wanted more than anything to blend in.\u00a0\u00a0<\/p>\n<p>With \u201cSlanted,\u201d I guess I (and many others) don\u2019t have to keep pondering what life would be like if race change was a possibility (and no, I\u2019m not talking about <a href=\"https:\/\/www.fridaythings.com\/recent-posts\/ariana-grande-asian-fishing-yellowface-makeup\">race-fishing makeup<\/a>). Amy Wang\u2019s directorial debut film is a funny and heartfelt comedy-drama mixed with body horror that lays out what life would be like if race transition was possible.<\/p>\n<p>Set in hyper-patriotic and predominantly white America, \u201cSlanted\u201d takes us along Joan Huang\u2019s (Shirley Chen, \u201cD\u00ecdi\u201d) coming-of-age journey as she grapples with the challenge of peer acceptance, all while struggling to hold onto her racial and cultural identity. From a young age, she was taught that her lunch was smelly, that her eyes slanted at an odd angle and that her nose was unnaturally flat. Essentially, Huang was taught that she was a far cry from the \u201cideal American\u201d plastered on posters and billboards throughout her suburban town.\u00a0<\/p>\n<p>As such, Joan grows insecure about looking \u201codd,\u201d eating \u201crepulsive\u201d foods and having parents who work blue-collar cleaning jobs. When the mysterious organization Ethnos Inc. reaches out to Joan, promising to transform her into a popular white girl, Joan ecstatically seizes this opportunity to better her life. After the transition, she renames herself to Jo Hunt, played by Mckenna Grace (\u201cGifted\u201d), and lives out her dreams: receiving invitations to parties, male attention and the opportunity to actually have a chance at winning prom queen. However, the so-called benefits of the treatment start wearing off as Joan (or Jo, after the transition) gradually realizes how much she stands to lose in the pursuit of popularity.\u00a0<\/p>\n<aside class=\"scaip scaip-1    \">\n\t\t<\/aside>\n<p>Wang also introduces other characters to highlight why Joan is torn between her lineage and the allure of blending in with the \u201cit\u201d crowd. Joan\u2019s friend Brindha (Maitreyi Ramakrishnan, \u201cNever Have I Ever\u201d) unapologetically embraces her different features and happily eats Joan\u2019s lunch for her \u2014 at the cost of being made an outcast. On the other hand, Olivia Hammond (Amelie Zilber, \u201cGrown-ish\u201d), the school queen bee, conforms and conceals parts of her identity to garner social points. The contrast between these characters\u2019 chosen lifestyles demonstrates the different consequences of sacrificing either your race or your sociality. It\u2019s as if it is imperative to erase an essential part of yourself or risk total alienation. Unfortunately, this is a sobering lesson that is imbued into the minds of many immigrant youth.\u00a0\u00a0<\/p>\n<p>Unlike Joan, her parents, played by Vivian Wu (\u201cThe Pillow Book\u201d) and Fang Du (\u201cMadam Secretary\u201d), see their Chinese American identity as a mighty strength rather than a debilitating weakness. Their unique backgrounds give them the necessary resilience to stay rooted in the face of adversity. After all, the unique way they raised their daughter gives her a vastly different worldview from her peers, and isn\u2019t that worth something in a monochromatic world devoid of diverse perspectives?\u00a0<\/p>\n<p>On top of its well-written characters, \u201cSlanted\u201d advances its emotional and comedic storytelling by highlighting relatable childhood memories of Chinese Americans that both tugged at my heartstrings and made me laugh out loud. Sure, the idea of race transition in the synopsis drew my attention, but what really kept my eyes glued to the screen was the human reality I felt through the scenes: From singing along to \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=znX5F09ysr0\">The Moon Represents My Heart<\/a>\u201d in the car to celebrating \u201ccoming to America\u201d anniversaries to having a blond-hair stint, Joan\u2019s interactions with her parents felt like a window into my own adolescence. By humanizing its characters, \u201cSlanted\u201d stays grounded while staying true to its high-concept premise.<\/p>\n<p>In light of recent <a href=\"https:\/\/www.meritalk.com\/articles\/trump-slashes-federal-dei-policies-instates-equal-dignity-and-respect\/\">political moves<\/a> around removing DEI programs and legislation in the United States, \u201cSlanted\u201d plays a critical role in <a href=\"https:\/\/www.factualamerica.com\/filmmaking\/exploring-the-intersection-of-filmmaking-and-social-activism#:~:text=Certain%20documentaries%20have%20played%20crucial,actions%20towards%20environmental%20policy%20changes.\">media activism<\/a>, calling to action societal injustices through art and attempting to answer questions like \u201cWhat does creating equality mean?\u201d and \u201cWhat does it really mean to be American?\u201d<\/p>\n<p>At the end of the screening, director Wang answered a couple of questions about the creation of \u201cSlanted.\u201d She shared that the film was incredibly personal, being filmed in Atlanta following the <a href=\"https:\/\/www.nytimes.com\/live\/2021\/03\/17\/us\/shooting-atlanta-acworth\">spa shootings<\/a> that raised fears of <a href=\"https:\/\/www.pewresearch.org\/race-and-ethnicity\/2023\/11\/30\/asian-americans-and-discrimination-during-the-covid-19-pandemic\/\">anti-Asian bias<\/a>. Although this happened more than four years ago, \u201cSlanted\u201d is still a timely yet controversial piece, sparking conversations about the challenges people of Color face, the strides we\u2019ve made in this country and how far we still have left to go.\u00a0<\/p>\n<aside class=\"scaip scaip-2    \">\n\t\t<\/aside>\n<p>\u201cSlanted\u201d is much more than a film about a girl fighting her Chinese American identity crisis. It questions the values we place on a pedestal. It teaches us how to advocate for ourselves when no one else will. It tells us to step up and be our own role models when we don\u2019t see anyone else who looks like us.<\/p>\n<p><em>Daily Arts Writer Michelle Wu can be reached at <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/film\/sxsw-2025-slanted-societal-values-and-the-horrors-of-conformity\/mailto:michewu@umich.edu\"><em>michewu@umich.edu<\/em><\/a>. <\/p>\n<aside>\n\t\t<\/aside>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related articles<\/em><\/h3>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>When I was little, my mom told me that if I spoke more English than Chinese, I would eventually lose my Asian features and turn white. At the time, I was just heading into preschool, a place where I wouldn\u2019t be at home conversing with just my family anymore. As a naive child, I didn\u2019t [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[323,321,322,320],"class_list":{"0":"post-376","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-conformity","9":"tag-explores","10":"tag-horrors","11":"tag-slanted"},"_links":{"self":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/comments?post=376"}],"version-history":[{"count":1,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/376\/revisions"}],"predecessor-version":[{"id":378,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/376\/revisions\/378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media\/377"}],"wp:attachment":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media?parent=376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/categories?post=376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/tags?post=376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}