{"id":4180,"date":"2026-01-02T13:49:04","date_gmt":"2026-01-02T13:49:04","guid":{"rendered":"https:\/\/tmbglobal.news\/index.php\/2026\/01\/02\/for-good-delivers-a-satisfying-conclusion\/"},"modified":"2026-01-02T13:49:06","modified_gmt":"2026-01-02T13:49:06","slug":"for-good-delivers-a-satisfying-conclusion","status":"publish","type":"post","link":"https:\/\/tmbglobal.news\/index.php\/2026\/01\/02\/for-good-delivers-a-satisfying-conclusion\/","title":{"rendered":"For Good\u2019 delivers a satisfying conclusion"},"content":{"rendered":"<p><\/p>\n<div>\n<p>Whether you\u2019re <a href=\"https:\/\/www.nytimes.com\/2024\/11\/06\/movies\/wicked-cynthia-erivo-ariana-grande.html\">scrolling the internet<\/a>, <a href=\"https:\/\/www.nytimes.com\/2024\/11\/26\/movies\/wicked-merchandise.html\">shopping anywhere<\/a> or speaking to anyone, you\u2019ve likely been pummeled by \u201cWicked\u201d promotions left and right. With so much hype surrounding this film, Director Jon M. Chu (\u201cIn the Heights\u201d) had much to live up to, and despite the second act of Broadway\u2019s \u201cWicked\u201d being notoriously weaker, he manages to leave an emotional impact that changes the audience for good.\u00a0<\/p>\n<p>\u201cWicked: For Good\u201d picks up a few years after the events of the first installment and follows the second half of the stage musical. Since then, Glinda (Ariana Grande, \u201cWicked\u201d) has become a celebrated figure in the Emerald City, acting as a spokeswoman for the Wizard (Jeff Goldblum, \u201cAsteroid City\u201d). Elphaba (Cynthia Erivo, \u201cHarriet\u201d), the \u201cWicked Witch of the West,\u201d lives in exile, opposing and evading the fraudulent Wizard and his close ally Madame Morrible (Michelle Yeoh, \u201cEverything Everywhere All At Once\u201d). In addition, Fiyero (Jonathan Bailey, \u201cJurassic World: Rebirth\u201d) remains in the Emerald City, working as the captain of the Wizard\u2019s Guard and actively, though reluctantly, hunting Elphaba. Elphaba\u2019s sister, Nessarose (Marissa Bode, \u201cWicked\u201d), has taken over her father\u2019s position as the tyrannical governess of Munchkinland, oppressing the entire nation so she can keep her love, Boq (Ethan Slater, \u201cThe SpongeBob Musical: Live on Stage!\u201d), in her life.<\/p>\n<p>Obviously, we can\u2019t talk about \u201cWicked: For Good\u201d without discussing its songs and vocal performances. Interestingly, the movie included two additional songs, \u201cThe Girl in the Bubble\u201d and \u201cNo Place Like Home,\u201d which aren\u2019t from the original musical. Grande\u2019s vocals are even better than in the first movie, with \u201cThe Girl in the Bubble\u201d and her breathtaking duet with Erivo, \u201cFor Good.\u201d While \u201cNo Place Like Home\u201d is by no means a useless addition, it doesn\u2019t hold the importance of Glinda\u2019s new song, and it isn\u2019t exceptionally catchy either. Despite this one subpar song, the standout among the vocalists is still undeniably Erivo, whose powerful and dynamic voice breathes life into Elphaba\u2019s songs. Her voice was delivered with her breathtaking performance of \u201cNo Good Deed,\u201d drawing the audience into her desperation and anger. Grande and Erivo\u2019s emotional ballad of \u201cFor Good\u201d will draw tears out of even the most stoic, eloquently wrapping up the emotional journey Elphaba and Glinda have taken over the course of the films. Likewise, Grande\u2019s addition to the song \u201cWonderful\u201d elevated Jeff Goldblum\u2019s forgettable singing, creating a memorable scene out of one that could have easily been boring.<\/p>\n<p>With the good, of course, comes the bad, and Michelle Yeoh\u2019s vocals are, frankly, bad. Luckily for listeners, her singing parts are few and far between; however, each time, it is truly grating. In contrast, the movie didn\u2019t use Jonathan Bailey\u2019s singing prowess to its full potential, with the actor only performing \u201cAs Long As You\u2019re Mine.\u201d Since the movie includes two additional songs for Elphaba and Glinda, having a solo Fiyero song wouldn\u2019t have been amiss \u2014 we personally would have enjoyed a \u201cDancing Through Life\u201d reprise. Unfortunately, this is a problem for the overall movie: It can\u2019t compete with the songs of the first film. While the album isn\u2019t full of skips, it doesn\u2019t have multiple standout songs the way \u201cWicked\u201d did, but at least the performances of the central characters make up for the weaker moments.\u00a0<\/p>\n<aside class=\"scaip scaip-1    \">\n\t\t<\/aside>\n<p>Beyond the vocals, the outstanding acting across the cast captures the theme of transformation that informs every character\u2019s development as we move into the darker second half of \u201cWicked.\u201d \u201cWicked: For Good\u201d gives Glinda the depth she lacked in the original. Gone are the days of the ditsy and naive <a href=\"https:\/\/screenrant.com\/wicked-movie-glinda-name-galinda-pronunciation-why\/\">Galinda<\/a> of the first film, as she has taken on an authoritative role that challenges her beliefs, and Grande captures her inner turmoil through a truly wonderful performance. Her interactions with Elphaba drive the emotional core of the film, and the duo\u2019s relationship off set clearly contributed to their heartfelt performances on set. Similarly, the blossoming relationship between Elphaba and Fiyero is made more believable and gripping by Erivo and Bailey\u2019s perfectly nuanced acting.<\/p>\n<p>Beyond the central duo, the remaining cast equally rises to the occasion. Ethan Slater, who initially slipped under the radar in the first film, came through with his performance as the Tin Man, showcasing incredible range through his transformation from the desperate, awkward Boq to the (literally) heartless Tin Man. His performance during \u201cMarch of the Witch Hunters\u201d was chilling, portraying the loss of the kindness that Boq once had, making the Tin Man an empathetic character despite his heartlessness. At its core, \u201cWicked: For Good\u201d is the story of transformation that each of the cast members understood and delivered.\u00a0<\/p>\n<p>Another aspect of the movie that gives it that touch of magic is the detail of the costumes and scenery. Glinda\u2019s dresses are designed with clean and sparkly pink lines while Elphaba\u2019s wardrobe, with her tattered black robes, is designed to reflect her exile. It helps highlight how they\u2019ve drifted in the years after Shiz. Paul Tazewell, the movie\u2019s lead costume designer, also used costuming and makeup to provide audiences with a realistic <a href=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/11\/2552_FP_1141242U_00261848-H-2025.jpg?w=1296&amp;h=730&amp;crop=1\">Tin Man<\/a> and <a href=\"https:\/\/encrypted-tbn0.gstatic.com\/images?q=tbn:ANd9GcTaiN1b5N08CEfe7SReBujk0ltC04eLDigW8Q&amp;s\">Scarecrow<\/a>. While both are impressive feats by the costume and makeup team, the Scarecrow looks and feels off-putting while watching in theaters (this may be the point, but having him be a <a href=\"https:\/\/www.instagram.com\/reel\/DRh0U8xDSwe\/\">Ryan Reynolds doppelganger<\/a> is probably not).<\/p>\n<p>Aside from mildly disturbing prosthetics, the sequel suffers from some pacing issues that make the story feel less moving than part one. In \u201cWicked,\u201d there was a clear story arc driven by Elphaba and Glinda\u2019s journey to becoming friends and meeting the Wizard. In comparison, \u201cWicked: For Good\u201d has to deal with more plot lines and complexity than the original and has to balance showing the separate lives of all the characters, finish plot lines from the first film and connect \u201cWicked\u201d to \u201cThe Wizard of Oz.\u201d It is this switching between characters, locations and story arcs that leads to some of the awkward and rushed pacing in the movie and, unfortunately, causes scenes that should provide intense emotional impact for the audience to fall flat.<\/p>\n<p>The most notable example is the climax of the film, when Glinda finally stands up and takes Elphaba\u2019s side. The long-awaited reunification of the friends and Glinda\u2019s character growth should elicit a rush of excitement and joy in the audience, but it feels sudden and a bit forced due to the timeline.\u00a0This problem is particularly exacerbated by the fact that the first movie was so heartrending. That said, the movie delivers several amazing plot lines, especially that of Boq and Nessa, whose storyline heavily connects \u201cWicked\u201d to \u201cThe Wizard of Oz\u201d and nicely addresses conflicts that had been foreshadowed in the first movie.<\/p>\n<aside class=\"scaip scaip-2    \">\n\t\t<\/aside>\n<p>While there are certainly some bumps along the yellow brick road, \u201cWicked: For Good\u201d ultimately delivers a satisfying ending to the musical that stole everyone\u2019s attention a year ago. Chu creates quite the magical experience in partnership with the costume and makeup department that beautifully showcases the powerhouse performances of his star-studded cast.<\/p>\n<p><em>Daily Arts Writers Taylor Koski and Maeve McGinn can be reached at <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/film\/wicked-for-good-has-changed-us-for-the-better\/mailto:tckoski@umich.edu\"><em>tckoski@umich.edu<\/em><\/a><em> and <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/film\/wicked-for-good-has-changed-us-for-the-better\/mailto:maevemcg@umich.edu\"><em>maevemcg@umich.edu<\/em><\/a><em>.<\/em><\/p>\n<aside>\n\t\t<\/aside>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related articles<\/em><\/h3>\n<\/p><\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Whether you\u2019re scrolling the internet, shopping anywhere or speaking to anyone, you\u2019ve likely been pummeled by \u201cWicked\u201d promotions left and right. With so much hype surrounding this film, Director Jon M. Chu (\u201cIn the Heights\u201d) had much to live up to, and despite the second act of Broadway\u2019s \u201cWicked\u201d being notoriously weaker, he manages to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4181,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[1939,358,720,1938],"class_list":{"0":"post-4180","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-conclusion","9":"tag-delivers","10":"tag-good","11":"tag-satisfying"},"_links":{"self":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/4180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/comments?post=4180"}],"version-history":[{"count":1,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/4180\/revisions"}],"predecessor-version":[{"id":4182,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/4180\/revisions\/4182"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media\/4181"}],"wp:attachment":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media?parent=4180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/categories?post=4180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/tags?post=4180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}