{"id":4393,"date":"2026-01-23T22:49:05","date_gmt":"2026-01-23T22:49:05","guid":{"rendered":"https:\/\/tmbglobal.news\/index.php\/2026\/01\/23\/stranger-things-5-volume-ii-is-contrived-garbage\/"},"modified":"2026-01-23T22:49:13","modified_gmt":"2026-01-23T22:49:13","slug":"stranger-things-5-volume-ii-is-contrived-garbage","status":"publish","type":"post","link":"https:\/\/tmbglobal.news\/index.php\/2026\/01\/23\/stranger-things-5-volume-ii-is-contrived-garbage\/","title":{"rendered":"Stranger Things 5 Volume II is contrived garbage"},"content":{"rendered":"<p><\/p>\n<div>\n<p><i>Extreme spoiler warning for <\/i><em style=\"font-style: italic;\">\u201cStranger Things\u201d Season 5 Volume<\/em><em> 2<\/em><\/p>\n<p>The first season of \u201cStranger Things\u201d is some of the best television I\u2019ve ever watched. Told through the lens of an America tense with Cold War animosity, the story navigates the grief of a mother, a child abused by systems of power and the fear of the unknown. Using the medium of horror to underscore its <a href=\"https:\/\/humanumreview.com\/artefact\/stranger-things-review\">messages<\/a> of friendship, love and overcoming trauma, the premiere season of \u201cStranger Things\u201d solidified itself as a masterclass in how to leverage genre for emotional themes.\u00a0<\/p>\n<p>The Upside Down is a terrifying place, symbolizing both government failure and the terror of the uncanny or not-quite familiar. Eleven\u2019s (Millie Bobby Brown, \u201cEnola Holmes\u201d) existence as an experiment meant to spy on the Soviet Union, visualized with a numbered tattoo on her tiny 11-year-old wrist, is a painful reminder of the consequences of a government run on paranoia, willing to do whatever it takes to get ahead of the enemy. Despite its sci-fi themes, Season 1 manages to feel grounded, meticulous and, above all, deeply engaging.\u00a0<\/p>\n<p>By the end of Season 5, it\u2019s revealed that Eleven\u2019s initial discovery of the Upside Down wasn\u2019t an unintended consequence of the government tampering with forces beyond their comprehension, but instead the direct reason for her existence. Since the beginning, Eleven\u2019s powers were actually the product of transfusing her with Vecna\u2019s (Jamie Campbell Bower, \u201cWitchboard\u201d) blood in order to reach Dimension X, the true residence of the Mind Flayer. In fact, the Upside Down was never just an eldritch parallel world to ours but a <em>wormhole <\/em>leading to Dimension X. And, of course, Season 5 reveals how Henry Creel\u2019s powers were gained by touching a magical stone which gave him a telepathic link with the Mind Flayer, sparking the government\u2019s interest in interdimensional powers.\u00a0<\/p>\n<aside class=\"scaip scaip-1    \">\n\t\t<\/aside>\n<p>So how on earth did we get here?<\/p>\n<p>\u201cStranger Things\u201d Season 5 feels like the final nail in the coffin for Season 1\u2019s reputation. Gone are the days when the audience can expect a solid narrative, plot-relevant characters and reasonable stakes; now, fans are served hot garbage on a platter and expected not to notice the difference.\u00a0<\/p>\n<p>From incessantly using cheap metaphors to explain simple concepts, to creating a nauseatingly bloated ensemble cast, to character assassinations that ruin their pre-established arcs, the finale of \u201cStranger Things\u201d was doomed from its conception to be a stain on the otherwise <a href=\"https:\/\/theculturednerd.org\/2020\/07\/stranger-things-season-1-review\/\">beloved<\/a> Netflix original.\u00a0<\/p>\n<p>Season 5 isn\u2019t just a narrative disappointment with a ridiculously long runtime; it fails to deliver on nearly every level. One of the season\u2019s cardinal sins is its amnesia towards its genre: This season of \u201cStranger Things\u201d forgot to be properly scary.\u00a0<\/p>\n<p>The season repeatedly threatens the audience with major character deaths, but almost never has the balls to commit. Too many times do show creators Matt and Ross Duffer use their characters as blackmail to keep audiences watching. And yet they are perpetually unable to kill off a fan-favorite lest it deter viewers from caring enough to finish the series. After the fifth time a character is seen in the clutches of peril, the gimmick grows stale.\u00a0<\/p>\n<aside class=\"scaip scaip-2    \">\n\t\t<\/aside>\n<p>The finale \u2014 more than two hours long \u2014\u00a0 wraps up the series with a neat bow, horror genre be damned. Joyce (Winona Ryder, \u201cBeetlejuice Beetlejuice\u201d) and Hopper (David Harbour, \u201cHellboy\u201d) get married, every teen graduates and even <a href=\"https:\/\/winteriscoming.net\/only-3-people-know-truth-about-eleven-fate-stranger-things\">the only main character to die<\/a> is speculated to have survived with their own happy ending. You almost forget you\u2019re watching a show about child-eating monsters from another dimension.<\/p>\n<p>This isn\u2019t to say Season 5 was all groans and headaches; there were a few standout moments that deserve their applause. Gaten Matarazzo (\u201cHonor Society\u201d) as Dustin absolutely nailed every character beat, making me nearly shed a tear during the scene when he grabs Steve (Joe Keery, \u201cFree Guy\u201d) and begs him not to play the hero. Nancy (Natalia Dyer, \u201cYes, God, Yes\u201d) and Jonathan\u2019s (Charlie Heaton, \u201cAs You Are\u201d) near-death confessions were also a phenomenal moment that left me gaping at the authenticity of their performances.<\/p>\n<p>However, it would be foolish to believe impressive acting and emotional character beats could save Volume 2. There is no saving this mess.\u00a0<\/p>\n<p>Truth be told, the failure of Season 5 was a long time coming. Since Season 2, it was clear the Duffer brothers had no solid plan for building up a cohesive, series-wide narrative for their show. From introducing Demo Dogs, to the Mind Flayer, to Eight (Linnea Berthelsen, \u201cDevs\u201d), to Henry Creel aka Vecna, the show has consistently attempted to raise the stakes with no regard to an overarching plot.\u00a0\u00a0<\/p>\n<p>The messy retroactive interconnection of season-wide storylines was made strikingly clear in the first episode of the new season, when the show retroactively changed its initial inciting incident: Will (Noah Schnapp, \u201cThe Peanuts Movie\u201d) was not just kidnapped to the Upside Down by an unthinking Demogorgon, but by a methodical Vecna whose plan was to use children as the key to an interplanetary takeover. And we\u2019re supposed to believe this was clearly laid out since the beginning. Unfortunately for the Duffers, no amount of retconning can save the hole they\u2019ve dug themselves into.\u00a0<\/p>\n<aside class=\"scaip scaip-3    \">\n\t\t<\/aside>\n<p>\u201cStranger Things\u201d<strong> <\/strong>will always be remembered as one of the greatest sci-fi thrillers of our generation. While its first season was the strongest in content and stakes, the next three were earnest attempts to continue in the footsteps of the original story. I will look back on Season 1 fondly and with high regard. It\u2019s a tragedy that Season 5 threatens to burn that legacy to the ground.\u00a0<\/p>\n<p><em>TV Beat Editor Ana Torresarpi can be reached at <\/em><a href=\"https:\/\/www.michigandaily.com\/arts\/tv\/stranger-things-season-5-volume-2-does-the-impossible-and-gets-worse\/mailto:atoressa@umich.edu\"><em>atoressa@umich.edu<\/em><\/a><em>.<\/em>\u00a0<\/p>\n<aside>\n\t\t<\/aside>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related articles<\/em><\/h3>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Extreme spoiler warning for \u201cStranger Things\u201d Season 5 Volume 2 The first season of \u201cStranger Things\u201d is some of the best television I\u2019ve ever watched. Told through the lens of an America tense with Cold War animosity, the story navigates the grief of a mother, a child abused by systems of power and the fear [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4394,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[4168,3336,3783,4167],"class_list":{"0":"post-4393","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-contrived","9":"tag-garbage","10":"tag-stranger","11":"tag-volume"},"_links":{"self":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/4393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/comments?post=4393"}],"version-history":[{"count":1,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/4393\/revisions"}],"predecessor-version":[{"id":4395,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/4393\/revisions\/4395"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media\/4394"}],"wp:attachment":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media?parent=4393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/categories?post=4393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/tags?post=4393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}