{"id":5924,"date":"2026-07-27T18:49:05","date_gmt":"2026-07-27T18:49:05","guid":{"rendered":"https:\/\/tmbglobal.news\/index.php\/2026\/07\/27\/jellys-last-jam-choreographer-was-85\/"},"modified":"2026-07-27T18:49:05","modified_gmt":"2026-07-27T18:49:05","slug":"jellys-last-jam-choreographer-was-85","status":"publish","type":"post","link":"https:\/\/tmbglobal.news\/index.php\/2026\/07\/27\/jellys-last-jam-choreographer-was-85\/","title":{"rendered":"\u2018Jelly\u2019s Last Jam\u2019 Choreographer Was 85"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tHope Clarke, the actress, singer, dancer and frequent George C. Wolfe collaborator who received a Tony Award nomination for choreographing the electric 1990s musical <em>Jelly\u2019s Last Jam<\/em>, has died. She was 85.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tClarke died Thursday at her home in Murfreesboro, Tennessee, of complications from a cancerous brain tumor, family member Donelle Chisolm told <em>The Hollywood Reporter<\/em>.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tEarly in her career, Clarke was a principal dancer for companies led by Katherine Dunham and Alvin Ailey, and she performed six times on <a href=\"https:\/\/www.hollywoodreporter.com\/t\/broadway\/\" id=\"auto-tag_broadway_1\" data-tag=\"broadway\">Broadway<\/a> from 1960-85.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tOn the big screen, she played an inner-city schoolteacher in <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/sidney-poitier-dead-lillies-of-the-field-1235071323\/\">Sidney Poitier<\/a>\u2019s <em>A Piece of the Action<\/em> (1977) and the mother of Jeffrey Wright\u2019s Jean-Michel Basquiat in Julian Schnabel\u2019s <em>Basquiat<\/em> (1996).<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tShe was hired by Wolfe to handle the choreography on <em>Jelly\u2019s Last Jam<\/em>, which opened on Broadway in April 1992, ran for more than 560 performances and was nominated for 11 Tonys, including best musical. Tap-dance sensation Gregory Hines and Tonya Pinkins won Tonys for their performances.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tShe and Wolfe worked together on nearly a dozen plays and musicals, also including Broadway\u2019s <em>Caroline, or Change<\/em> in 2004 and <em>A Free Man of Color<\/em> in 2010-11.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe younger of two sisters, Clarke was born in Washington on March 23, 1941. She studied dance at the Alma Davis Dance School and with Doris W. Jones\u2019 ballet company. After graduating from Spingarn High School, she joined the touring company of <em>West Side Story<\/em> in 1959 in Chicago and accompanied the production for a return engagement on Broadway.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tShe appeared again on Broadway in 1961 alongside Brock Peters and <a href=\"https:\/\/www.hollywoodreporter.com\/news\/general-news\/robert-guillaume-dead-benson-actor-920459\/\">Robert Guillaume<\/a> in <em>Kwamina<\/em>, choreographed by Agnes de Mille, and in 1967-68 with Robert Hooks and Leslie Uggams in <em>Hallelujah, Baby!<\/em>, winner of the Tony for best musical.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tShe also danced in <em>Antony and Cleopatra<\/em> for the Metropolitan Opera, appeared off-Broadway in Douglas Turner Ward\u2019s <em>The Reckoning<\/em> for the Negro Ensemble Company and returned to Broadway in 1970 for <em>Purlie<\/em> and in 1972 for <em>Don\u2019t Bother Me, I Can\u2019t Cope<\/em>.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tShe showed up on television over the years on episodes of such shows as <em>N.Y.P.D.<\/em>, <em>The Jeffersons<\/em>, <em>Good Times<\/em>, <em>What\u2019s Happening!!<\/em>, <em>Three\u2019s Company<\/em>, <em>The White Shadow<\/em>, <em>Hill Street Blues<\/em> and <em>Law &amp; Order<\/em>.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIn 1995, Clarke directed a Houston Grand Opera production of <em>Porgy and Bess<\/em> that toured America and played in Italy and Japan. She was the first African American to handle a major U.S. staging of the beloved opera.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t\u201cAs a director, I guess I bring in the female sensibilities,\u201d she said in an interview that year. \u201cSince I\u2019m also an actress, I\u2019ve really tried to develop the characterizations so that the performers don\u2019t do a little singing here and some acting there. And coming from a Black perspective, I know how we think, how we feel, what we do. I understand the little things. That makes a difference.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tClarke also co-founded the 5 Plus Ensemble, which celebrates and showcases dancers over age 50.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tShe and her sister in October had moved from New Jersey to Murfreesboro, where they were cared for by Chisolm. She also is survived by her nephew, Joseph, and great-nephew, Jaydon. A life celebration is set for Sept. 5.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Hope Clarke, the actress, singer, dancer and frequent George C. Wolfe collaborator who received a Tony Award nomination for choreographing the electric 1990s musical Jelly\u2019s Last Jam, has died. She was 85. Clarke died Thursday at her home in Murfreesboro, Tennessee, of complications from a cancerous brain tumor, family member Donelle Chisolm told The Hollywood [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5925,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[5205,5204,5203],"class_list":["post-5924","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fashion","tag-choreographer","tag-jam","tag-jellys"],"_links":{"self":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/5924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/comments?post=5924"}],"version-history":[{"count":1,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/5924\/revisions"}],"predecessor-version":[{"id":5926,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/posts\/5924\/revisions\/5926"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media\/5925"}],"wp:attachment":[{"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/media?parent=5924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/categories?post=5924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tmbglobal.news\/index.php\/wp-json\/wp\/v2\/tags?post=5924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}